Toru Takemitsu, Lukas Huisman's 'Piano Pieces for Children: I. Breeze' had a release date set for May 25, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 15 in the song's album "Takemitsu: Complete Works for Piano". In this album, this song's track order is #5. In terms of popularity, Piano Pieces for Children: I. Breeze is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Pieces for Children: I. Breeze by Toru Takemitsu, Lukas Huisman having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tansman: Musique de cour d'après Robert de Visée: I. Entrée | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Minor | 0 | 7A | 87 BPM | ||
| Piano Quintet "Fantasia": II | Carl Vine, Goldner String Quartet, Piers Lane | G Minor | 2 | 6A | 128 BPM | ||
| Verklärte Nacht, Op. 4 (Version for String Orchestra): V. Adagio (Bar 370) | Arnold Schoenberg, Danish National Symphony Orchestra, Fabio Luisi | D Major | 1 | 10B | 88 BPM | ||
| Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Major | 2 | 2B | 73 BPM | ||
| Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 4 | John Cage, Boris Berman | D Major | 0 | 10B | 210 BPM | ||
| 3 Pieces in Old Style: No. 2, Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | E Minor | 1 | 9A | 76 BPM | ||
| Woodforde-Finden: 4 Indian Love Lyrics: No. 4, Till I Wake (Arr. Hough for Piano) | Amy Woodforde-Finden, Martin James Bartlett | G Minor | 2 | 6A | 128 BPM | ||
| Asturiana - I | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 5, Alla Tarantella | Erwin Schulhoff, Leonkoro Quartet | G Minor | 2 | 6A | 128 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | ||
| Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
| Suite compostelana: II. Coral | Federico Mompou, Sean Shibe | F♯ Minor | 0 | 11A | 90 BPM | ||
| Barrios Mangoré: Julia Florida | Agustín Barrios Mangoré, Thibaut García | D Major | 0 | 10B | 84 BPM | ||
| Withering Hope | Orithia | E Major | 7 | 12B | 102 BPM | ||
| Musica ricercata No. 7 in B-Flat Major | György Ligeti, Khatia Buniatishvili | E♭ Major | 0 | 5B | 87 BPM | ||
| Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) | Eugène Ysaÿe, Alon Sariel | G Minor | 5 | 6A | 99 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
| Belshazzar's Feast, JS 48: Prelude. Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | G Major | 2 | 9B | 98 BPM | ||
| Satie / Rev. Caby: Caresse | Erik Satie, Michel Legrand | C Major | 2 | 8B | 121 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| Suite en trio, Op. 59: I. Serenade | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | E Minor | 0 | 9A | 89 BPM |