Rita Hayworth's ' "Somehow/After the Races Are Over" was released on its scheduled release date, January 9, 1952. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 25 out of 41 in Every Night by Rita Hayworth. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Somehow/After the Races Are Over's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Somehow/After the Races Are Over by Rita Hayworth is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gentlemen Prefer Blondes: Ain't There Anyone Here For Love - From "Gentlemen Prefer Blondes" | Jane Russell, Marilyn Monroe | A♭ Major | 3 | 4B | 103 BPM | ||
| Ain't Misbehavin' | Maxine Sullivan | C Major | 3 | 8B | 129 BPM | ||
| Forgive and Forget | Jeri Southern | D Minor | 1 | 7A | 83 BPM | ||
| Every Baby Needs a Da Da Daddy (From "Ladies of the Chorus") | Marilyn Monroe | F♯ Major | 4 | 2B | 108 BPM | ||
| Lydia the Tattooed Lady | Bobby Short | C Major | 2 | 8B | 116 BPM | ||
| You're A Sweet Little Headache | Benny Goodman Orchestra with Martha Tilton | E♭ Major | 4 | 5B | 201 BPM | ||
| Let's Stay Young Forever | Rita Hayworth | G Major | 2 | 9B | 134 BPM | ||
| Old Cape Cod | Patti Page | G Major | 2 | 9B | 134 BPM | ||
| Make Way for Tomorrow | Rita Hayworth | G Major | 2 | 9B | 134 BPM | ||
| St. James Infirmary | Cab Calloway | E Minor | 2 | 9A | 81 BPM | ||
| You're the Cream in My Coffee | Annette Hanshaw | G Minor | 1 | 6A | 143 BPM | ||
| Puttin' on the Ritz | Fred Astaire | F♯ Major | 4 | 2B | 107 BPM | ||
| The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
| She's a Rainbow | Jesse O'Mahoney, Theo Golding | B♭ Major | 2 | 6B | 99 BPM | ||
| A Little Bird Told Me | Evelyn Knight, The Stardusters | C Major | 3 | 8B | 182 BPM | ||
| Besame Mucho | Jimmy Dorsey | G Minor | 2 | 6A | 140 BPM | ||
| Mambo Bacan | Sophia Loren | E♭ Major | 6 | 5B | 129 BPM | ||
| Tu vo' fa l'americano - Alternate Take | Sophia Loren, Paolo Bacilleri | B♭ Major | 2 | 6B | 124 BPM | ||
| Heartbeat | Ruby Murray | B Major | 2 | 1B | 85 BPM | ||
| Bill Bailey, Won't You Please Come Home? | Pearl Bailey | D♭ Major | 6 | 3B | 107 BPM | ||
| You Do Something to Me | Lee Wiley | G Major | 2 | 9B | 134 BPM | ||
| I'm Through With Love | Marilyn Monroe | C Minor | 5 | 5A | 93 BPM | ||
| I Got Rhythm | Ethel Waters | G Major | 2 | 9B | 134 BPM | ||
| Whatever Lola Wants (Lola Gets) | Sarah Vaughan | D♭ Major | 2 | 3B | 119 BPM | ||
| Don't Look At Me That Way | Jeri Southern | F Major | 3 | 7B | 67 BPM |