"Arrival" by Alexandra Harwood had its release date on May 11, 2018. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Arrival's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Guernsey Literary And Potato Peel Pie Society (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Arrival is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arrival by Alexandra Harwood having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| North and South Title Theme (From "North and South") [2004 Version] | Regency Players | D Minor | 2 | 7A | 82 BPM | ||
| We Took To The Skies | Steven Price | A♭ Major | 2 | 4B | 114 BPM | ||
| Searching For Skip | William Ross | D♭ Major | 1 | 3B | 134 BPM | ||
| No Regrets | Ari Posner, Amin Bhatia | G Major | 1 | 9B | 84 BPM | ||
| We Must Preserve What's Left - From "Our Planet" | Steven Price | B Major | 0 | 1B | 71 BPM | ||
| Shelagh Gives Birth | Maurizio Malagnini | C Major | 2 | 8B | 90 BPM | ||
| Mrs. Radcliffe (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | G Major | 0 | 9B | 55 BPM | ||
| The Sluice Gate | Peter Gregson | A♭ Major | 3 | 4B | 80 BPM | ||
| Chasing Natasha | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Baby Alessandra | Christophe Beck | F Major | 1 | 7B | 102 BPM | ||
| Of Kites and Concertinas | Christopher Willis | D♭ Minor | 2 | 12A | 97 BPM | ||
| The Phone Call | Alexandra Harwood | A♭ Major | 2 | 4B | 70 BPM | ||
| You Weren't There | George Fenton | G Major | 0 | 9B | 60 BPM | ||
| Harriet Smith And Robert Martin Meet In The Rain | Isobel Waller-Bridge, David Schweitzer | B Major | 0 | 1B | 130 BPM | ||
| Fanny's Sketch | Sight & Sound Films | D♭ Major | 1 | 3B | 114 BPM | ||
| Flook | Steven Price | E Minor | 2 | 9A | 140 BPM | ||
| Mrs. Landingham | W.G. Snuffy Walden | D Major | 1 | 10B | 79 BPM | ||
| Karen's Letter | Edward Shearmur | G Major | 0 | 9B | 65 BPM | ||
| What American Women Say | Christophe Beck | G Major | 1 | 9B | 110 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM | ||
| Harangue | James Shearman, Nick Ingman | F♯ Minor | 1 | 11A | 78 BPM | ||
| Amelia | Gabriel Yared | A Minor | 0 | 8A | 103 BPM | ||
| Prelude | Alexandra Harwood | E Major | 1 | 12B | 114 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| I Don't Know You | James Shearman, Nick Ingman | F♯ Minor | 1 | 11A | 73 BPM |