"The Orange Tree" by Philip Glass had its release date on August 15, 2006. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Illusionist". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, The Orange Tree is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Orange Tree by Philip Glass having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sagana | Rupert Gregson-Williams | D Minor | 0 | 7A | 120 BPM | ||
| August 3rd, 1896 | Mark Isham | D♭ Major | 3 | 3B | 78 BPM | ||
| The Final Arrow | Marc Streitenfeld | F Minor | 1 | 4A | 66 BPM | ||
| The Shores of Scotland | Max Richter | B Minor | 5 | 10A | 143 BPM | ||
| I Knew Her | Philip Glass | D Major | 1 | 10B | 80 BPM | ||
| The Shipwreck | Christopher Willis | A Minor | 6 | 8A | 144 BPM | ||
| Bek And Zaya's Theme | Marco Beltrami | G Major | 1 | 9B | 66 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| Entre la Realidad y la Fantasia | Ninfas De Ultramar | D♭ Major | 2 | 3B | 116 BPM | ||
| Brideshead Revisited: No. 2, Memory | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| ivory morning | eire music | E♭ Major | 1 | 5B | 132 BPM | ||
| Wolf Hall | Debbie Wiseman | G Major | 2 | 9B | 105 BPM | ||
| Sunset of Heaven | Ernesto Vallini, Neon Lilith, Whine Anterstain, Metasymphony | D♭ Minor | 1 | 12A | 90 BPM | ||
| In This Together | Rupert Gregson-Williams | G Minor | 1 | 6A | 120 BPM | ||
| A Claim to the Throne | Max Richter | G Minor | 3 | 6A | 137 BPM | ||
| Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| Burden of the Crown | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | B♭ Minor | 1 | 3A | 72 BPM | ||
| Isn't It Beautiful | Ramin Djawadi | C Major | 1 | 8B | 75 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| Where Lost Boys Go | Dan Romer, Benh Zeitlin | A Major | 1 | 11B | 140 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| Who I Want to Be | David Arnold, Michael Price | A Minor | 2 | 8A | 163 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM |