John Hammond's ' "Get Behind The Mule" was released on its scheduled release date, January 1, 2001. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. This song is part of Wicked Grin by John Hammond. The song's track number on the album is #7 out of 13 tracks. Based on our data, United States was the country where this track was produced or recorded. Get Behind The Mule is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Get Behind The Mule by John Hammond has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Get Behind The Mule being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Feelin' Good | J.B. Lenoir | A Major | 3 | 11B | 115 BPM | ||
| Jim Lee Blues Pt. 1 | Samantha Fish | A Major | 6 | 11B | 95 BPM | ||
| Down In Mississippi | Mavis Staples | G Major | 6 | 9B | 93 BPM | ||
| How Do You Know | Peter Wolf | B Minor | 8 | 10A | 180 BPM | ||
| Bring It On Home | Sonny Boy Williamson II | A Major | 4 | 11B | 111 BPM | ||
| The Rope | Boo Boo Davis | D Major | 7 | 10B | 103 BPM | ||
| Big Mama's Door | Alvin Youngblood Hart | E Major | 2 | 12B | 99 BPM | ||
| North County Woman | Doug MacLeod, Denny Croy, Dave Kida, Carl Sonny Leyland | D Major | 5 | 10B | 120 BPM | ||
| Coffee | Michael van Merwyk | D Major | 2 | 10B | 145 BPM | ||
| The Future Ain't What It Used to Be | Seth Walker | F Major | 1 | 7B | 78 BPM | ||
| Where The Hell Are All Of My Friends | Jonah Tolchin | D♭ Major | 6 | 3B | 144 BPM | ||
| Watching The River Flow | Ben Waters | B Major | 9 | 1B | 127 BPM | ||
| When the Levee Breaks | Cary Morin, Jean-Jacques Milteau | A Minor | 2 | 8A | 104 BPM | ||
| Drinking By Myself | William Clarke | C Major | 3 | 8B | 160 BPM | ||
| Sorry Baby | Boo Boo Davis | C Minor | 6 | 5A | 82 BPM | ||
| We Made It | Cedric Burnside | D Major | 7 | 10B | 107 BPM | ||
| I Know I've Been Changed | John Hammond | B♭ Major | 4 | 6B | 94 BPM | ||
| Blue Rain In Africa | Otis Taylor, Mato Nanji | D Major | 2 | 10B | 91 BPM | ||
| Oh Well | Leo Kottke, Mike Gordon | E Minor | 7 | 9A | 99 BPM | ||
| I've Got To Use My Imagination | The Rides | F Minor | 7 | 4A | 99 BPM | ||
| Gotta Move On | Eddy Clearwater | A♭ Major | 7 | 4B | 186 BPM | ||
| No Place To Go | Duke Robillard, John Hammond | B Minor | 5 | 10A | 107 BPM | ||
| Feeling Good | Peter Green Splinter Group | A Minor | 5 | 8A | 207 BPM | ||
| Am I Wrong | Keb' Mo' | C Major | 4 | 8B | 113 BPM | ||
| Blood Alley | Chuck E. Weiss | A Minor | 3 | 8A | 92 BPM |