Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra's 'Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Var. VIII - XV' had a release date set for July 16, 2021. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 13 in Baroque by Juan Pablo Horcasitas, Nicola Benedetti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Var. VIII - XV is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Var. VIII - XV by Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Grosso No. 5 in D Minor, Op. 2: II. Allegro | Francesco Geminiani, L'Archicembalo | D Major | 1 | 10B | 81 BPM | ||
| Sonata for Violin Solo: I. Adagio Con Fantasia | Francesco Geminiani, Steven Staryk | B♭ Major | 2 | 6B | 103 BPM | ||
| Violin Sonata in G Minor: II. Courante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 2 | 11A | 156 BPM | ||
| Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
| Cello Sonata in C major, Op.5, No.3: 3. Affettuoso | Francesco Geminiani, Heinrich Schiff, Ton Koopman, Jaap Ter Linden | C Minor | 0 | 5A | 173 BPM | ||
| Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berliner Barock Compagney | F♯ Major | 2 | 2B | 103 BPM | ||
| Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | ||
| A new division upon the ground bass of "John come and kiss me" | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 2 | 2B | 80 BPM | ||
| Haydn: Cello Concerto in D Major, Hob. VIIb:4: III. Allegro | Franz Joseph Haydn, Gautier Capuçon, Mahler Chamber Orchestra, Daniel Harding | D Major | 1 | 10B | 173 BPM | ||
| Sonata In D For Violin And Continuo: Allegro - Adagio - Allegro | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | D Major | 3 | 10B | 92 BPM | ||
| Les Folies d'Espagne (Transcribed for Cello & Harpsichord) | Marin Marais, Anastasia Kobekina, Emmanuel Arakélian | D Minor | 2 | 7A | 182 BPM | ||
| Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
| Symphony in C Major, J-C 4: III. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Violin Concerto No. 3 in A Major, Hob. VIIa:3: III. Allegro | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | A Major | 2 | 11B | 144 BPM | ||
| Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E♭ Major | 4 | 5B | 91 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | ||
| Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
| Cello Concerto in A Major, Wq.172: II. Largo maestoso | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D Minor | 0 | 7A | 116 BPM | ||
| The Four Seasons: Autumn 1 | Delirium Musicum, Étienne Gara | F Major | 1 | 7B | 101 BPM | ||
| Cello Concerto in A Major, Wq.172: III. Allegro assai | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D♭ Minor | 2 | 12A | 77 BPM | ||
| Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Symphony No. 69 in A Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A♭ Major | 2 | 4B | 117 BPM | ||
| Sonate concertate in stil moderno, Book 2: No. 10, Sonata à 3 | Dario Castello, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
| Concerto in D major Seibel 226: 1. Allegro molto | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 122 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM |