Capcom Sound Team's 'Underpass' had a release date set for August 21, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 33 out of 66 in DINO CRISIS ORIGINAL SOUNDTRACK by Capcom Sound Team. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Underpass's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Underpass by Capcom Sound Team is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| SPARK MANDRILLER STAGE | Capcom Sound Team | D♭ Major | 10 | 3B | 163 BPM | ||
| Flying Battery Zone Act 2 | Tee Lopes | A♭ Major | 9 | 4B | 180 BPM | ||
| The Wretched Automatons | SQUARE ENIX MUSIC | G Minor | 6 | 6A | 124 BPM | ||
| Clash With Evil Personified | Norihiko Hibino | F Minor | 8 | 4A | 160 BPM | ||
| 追求 ~追いつめまくれ | 岩垂徳行 | B Minor | 10 | 10A | 132 BPM | ||
| Prime Time - Studiopolis Zone Act 2 | Tee Lopes | A♭ Major | 9 | 4B | 180 BPM | ||
| Saferoom | Miwako Chinone | F♯ Minor | 0 | 11A | 94 BPM | ||
| 追求 ~追いつめられて | Masakazu Sugimori | A♭ Major | 7 | 4B | 124 BPM | ||
| Splitting Fool | Yoshiya Terayama | D Major | 10 | 10B | 135 BPM | ||
| ロジックとトリック | Masakazu Sugimori | A Minor | 9 | 8A | 110 BPM | ||
| Straight Ahead | INTI CREATES | F♯ Major | 9 | 2B | 208 BPM | ||
| Shoot The Works (ダンテ戦闘 2) | 甲田雅人 | B Major | 10 | 1B | 135 BPM | ||
| The Woods - 2021 Remaster | Dan Forden | F Minor | 9 | 4A | 120 BPM | ||
| Battle 1 | Yasunori Mitsuda | C Major | 9 | 8B | 160 BPM | ||
| Thunder Plains | Masashi Hamauzu | E♭ Major | 4 | 5B | 124 BPM | ||
| Lost Impact | Jun Senoue (SEGA SOUND TEAM) | D Minor | 8 | 7A | 131 BPM | ||
| CYBER KUJACKER STAGE | Capcom Sound Team | B♭ Minor | 8 | 3A | 170 BPM | ||
| FFVII REMAKE: Mako Reactor 1 - Battle Edit | 植松 伸夫 | F Minor | 3 | 4A | 125 BPM | ||
| Battle In The Jungle - Alert Phase | Norihiko Hibino | C Minor | 5 | 5A | 113 BPM | ||
| 最後の戦い | SIE Sound Team | C Minor | 3 | 5A | 190 BPM | ||
| Intermission | INTI CREATES | D♭ Major | 8 | 3B | 119 BPM | ||
| BLIZZARD WOLFANG STAGE | AKEMI KIMURA | G Minor | 9 | 6A | 128 BPM | ||
| Trap Phantasm | Kawakami Ryo | A Minor | 10 | 8A | 134 BPM | ||
| Mandara | Hirofumi Murasaki Morihiko Akiyama & Masayuki Nagao | A Minor | 9 | 8A | 140 BPM | ||
| Fire's Last Hope | flashygoodness | B♭ Minor | 10 | 3A | 160 BPM |