There For Tomorrow's ' "Point Of Origin" was released on its scheduled release date, January 1, 2004. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Point Of Origin". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Point Of Origin's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Point Of Origin by There For Tomorrow having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Take Me Back | Story Of The Year | E Minor | 8 | 9A | 91 BPM | ||
| Lipstick Lies | Oceans Divide | D♭ Minor | 7 | 12A | 176 BPM | ||
| Awake | Down In Ashes | B Minor | 9 | 10A | 136 BPM | ||
| Wake Up | No Resolve | F♯ Minor | 9 | 11A | 118 BPM | ||
| Great White Coma | The Sunstreak | B Major | 8 | 1B | 166 BPM | ||
| One Breath Away | Phedora | B♭ Minor | 9 | 3A | 90 BPM | ||
| Sever | We As Human | C Minor | 9 | 5A | 180 BPM | ||
| Letters in Wonderland | Atlantis Awaits | F Minor | 10 | 4A | 162 BPM | ||
| From the Inside | Outrun the Fall | E Major | 9 | 12B | 185 BPM | ||
| Lost In Limbo | Divided By Friday | D Major | 9 | 10B | 90 BPM | ||
| Words so Hollow | Control | E♭ Major | 10 | 5B | 90 BPM | ||
| Here I Am | Breakaway | F Major | 9 | 7B | 150 BPM | ||
| Blame Me | Project Vela | D♭ Minor | 7 | 12A | 155 BPM | ||
| Straight For Disaster | Cold Driven | G Major | 10 | 9B | 93 BPM | ||
| On My Own | Ashes Remain | A♭ Major | 9 | 4B | 176 BPM | ||
| This Time It's Different | Evans Blue | F Minor | 9 | 4A | 110 BPM | ||
| The Bitter Truth | Breakaway, Kevin Schultz | A♭ Major | 9 | 4B | 100 BPM | ||
| 9 to 5 | There For Tomorrow | F♯ Major | 10 | 2B | 168 BPM | ||
| Frontline | Pillar | F Minor | 8 | 4A | 108 BPM | ||
| Giving My Life | I-Exist | E♭ Minor | 9 | 2A | 98 BPM | ||
| Physics | Nural | A Major | 9 | 11B | 157 BPM | ||
| Nightmare | Fight Like Sin | C Minor | 10 | 5A | 137 BPM | ||
| Kings and Clones | We Are The Empty | A Minor | 8 | 8A | 107 BPM | ||
| I Can't Decide | There For Tomorrow | D♭ Major | 5 | 3B | 136 BPM | ||
| This Is Why We Bleed | Leader | C Major | 9 | 8B | 167 BPM |