UMA, Geetha's ' "Nannu Vidachi - Ragam: Rithi Gowla_talam: Misra Chapu" was released on its scheduled release date, May 1, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Kandana Govinda" album is number 14 out of 23. On top of that, India appears to be the country where this track was created. Based on our statistics, Nannu Vidachi - Ragam: Rithi Gowla_talam: Misra Chapu's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Nannu Vidachi - Ragam: Rithi Gowla_talam: Misra Chapu by UMA, Geetha to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lekhichi Na Tora | Malay Mishra | B Minor | 8 | 10A | 136 BPM | ||
| Sakhi Sange Gale Rahan | Asima Panda | A♭ Major | 9 | 4B | 79 BPM | ||
| Bin Bala (Nagin Rani) | UMA, Swalabhama | A Major | 10 | 11B | 102 BPM | ||
| E Nali Chidia Tika - Original | Raja Hasan | G Major | 10 | 9B | 148 BPM | ||
| Selfie Bebo | Mantu Chhuria, Lipsa Mahapatra | F Minor | 9 | 4A | 66 BPM | ||
| Jho Jho Barsha Pani | Nimai Majhi, Amrita Nayak | B Minor | 9 | 10A | 172 BPM | ||
| Jiye Jaha Kahu Mora | Abhijit Majumdar | G Major | 9 | 9B | 176 BPM | ||
| Muhu Malka Jhatka | Pratham Kumbhar, Swagatika Tripathy | A♭ Minor | 9 | 1A | 130 BPM | ||
| Come On Come On Baby | L. V. Revanth, UMA | C Major | 9 | 8B | 60 BPM | ||
| Safe House | UDT BOYS, Sweeny, SUNNYBONE, AXCE WINTER, HN Chillingboi, UMA | C Major | 8 | 8B | 130 BPM | ||
| Midisi Padda | Abhiram, UMA | A♭ Minor | 6 | 1A | 123 BPM | ||
| Dila Ke Sambhralo Dila Ni Sambhrela | Nagpuri Diwana | G Major | 9 | 9B | 100 BPM | ||
| Rauns | Preetam Bhartwan, Meena, UMA | A♭ Major | 4 | 4B | 144 BPM | ||
| Kama Meehi | Bala, UMA | G Major | 8 | 9B | 118 BPM | ||
| Pahela Chuma | Raju Nanda, Sanju Mohanty, Pk, Kabita Riyu | A Major | 10 | 11B | 81 BPM | ||
| Kalmi Aam | Devendra, Sanju | A♭ Major | 7 | 4B | 130 BPM | ||
| I Am Coming to the Cross | Swaroop Krishnan, Robert, Michel, UMA, Sangeetha, Latha, Mangalam | D Major | 3 | 10B | 64 BPM | ||
| Tatlagadar Madhumalati | Bali Tandi, Jogesh Jo Jo | E Minor | 10 | 9A | 134 BPM | ||
| When I Survey | Swaroop Krishnan, Robert, Michel, UMA, Sangeetha, Latha, Mangalam | A♭ Major | 6 | 4B | 156 BPM | ||
| Asha Amar | Andrew Kishore, UMA | F Minor | 8 | 4A | 134 BPM | ||
| Chhi Chhi Sundari Chhi Chhi | Santanu Sahoo | A♭ Major | 9 | 4B | 141 BPM | ||
| Joda Paida | Bhaskar Nayak, Tina Das | G Major | 10 | 9B | 150 BPM | ||
| 9 Lakha Haar | Nitesh Kachhap, Chinta Devi | A♭ Major | 9 | 4B | 150 BPM | ||
| 100 Hours Later | UMA | A Minor | 5 | 8A | 120 BPM | ||
| Tum Se | Raj Negi, UMA | A Major | 9 | 11B | 166 BPM |