Analía Rego's 'Milonga para Gardel (Milonga) (feat. Susana Ratcliff)' had a release date set for May 25, 2011. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Milonga para Gardel (Milonga) (feat. Susana Ratcliff)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 17 in Entre Tango y Tango... Tango! by Analía Rego. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Milonga para Gardel (Milonga) (feat. Susana Ratcliff)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Milonga para Gardel (Milonga) (feat. Susana Ratcliff) by Analía Rego is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Songs for Guitar: No. 6, What a Friend - Arr. for Guitar by T. Takemitsu | Toru Takemitsu, Charles Crozat Converse, Giacomo Palazzesi | G Major | 1 | 9B | 83 BPM | ||
| Pé de Cabra | Jean Charnaux | F Major | 5 | 7B | 106 BPM | ||
| Dança das Cordas | Alessandro Penezzi | D Major | 4 | 10B | 89 BPM | ||
| Chacarera ututa | Juan Falú | E♭ Minor | 1 | 2A | 71 BPM | ||
| Diary of Love | Gian Marco Ciampa | G Major | 2 | 9B | 135 BPM | ||
| Manha de Carnaval (Morning of the Carnival) [arr. J.C. Oliva] | Luiz Bonfá, Julio Cesár Oliva | A Minor | 2 | 8A | 105 BPM | ||
| Jurame (Arr. J.C. Oliva) | María Grever, Julio Cesár Oliva | E Minor | 2 | 9A | 90 BPM | ||
| Se Ela Perguntar | David Tutmark | E Minor | 1 | 9A | 56 BPM | ||
| Flor De Lino | Analía Rego | E Minor | 2 | 9A | 85 BPM | ||
| Camino a Lara | Pablo Briceño | E Minor | 0 | 9A | 164 BPM | ||
| Dukati | Alfred Ruci | G Major | 2 | 9B | 135 BPM | ||
| Ramis | Raúl García Zárate | D Major | 4 | 10B | 79 BPM | ||
| Sonata del amor: IV. Plenitud | Julio Cesár Oliva | G Major | 3 | 9B | 87 BPM | ||
| Suite Del Recuerdo/Evocacion | Jose Luis Merlin | E Minor | 1 | 9A | 109 BPM | ||
| Alma En Pena - Canción Criolla | Carlos Martínez | D Major | 1 | 10B | 104 BPM | ||
| ソナチネ イ長調 / I. Allegretto | Federico Moreno Torroba, 山下 和仁 | A Major | 3 | 11B | 86 BPM | ||
| Veracruz (Arr. J.C. Oliva) | Agustín Lara, Julio Cesár Oliva | E Minor | 2 | 9A | 90 BPM | ||
| Vidala del Lapacho | Pedro Rossi | F Minor | 2 | 4A | 142 BPM | ||
| jellyfish girl | Caius Boynton | A♭ Major | 2 | 4B | 135 BPM | ||
| Capricho, Op. 20 No. 2 | Luigi Legnani, Analía Rego | E Minor | 3 | 9A | 122 BPM | ||
| Fantasía Elegíaca, Op. 59: Marcha Fúnebre | Fernando Sor, Analía Rego | E Minor | 0 | 9A | 79 BPM | ||
| Quatre Bagatelles en forme de suite cosmique, Marco Smaili. I Le depart: mi partida | Marco Smaili, Laura Verdugo del Rey | C Major | 1 | 8B | 165 BPM | ||
| Van Life | GreenLife Café | G Major | 3 | 9B | 92 BPM | ||
| Habang Buhay | Raffy Lata | A Major | 1 | 11B | 72 BPM | ||
| Kite-flying Dream | Victor Villadangos | A Minor | 0 | 8A | 112 BPM |