"Cause We've Ended as Lovers" by Dan Cartwright had its release date on May 29, 2019. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Dan Cartwright's "Home" album is number 5 out of 10. In terms of popularity, Cause We've Ended as Lovers is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cause We've Ended as Lovers by Dan Cartwright to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ruins | Tommy Lyon | C Minor | 3 | 5A | 122 BPM | ||
| How Do I Love You? | Ashley Kutcher | F Major | 3 | 7B | 139 BPM | ||
| Running Up That Hill | Ally Salort | C Minor | 1 | 5A | 108 BPM | ||
| Just Don't Leave | Kayla Kross | E Major | 4 | 12B | 137 BPM | ||
| Someone Else's Wedding | Emilee Moore | D♭ Major | 4 | 3B | 108 BPM | ||
| Yesterday | Max Allais | F♯ Minor | 2 | 11A | 83 BPM | ||
| I'll be here - demo | Reddek McCaul | G Major | 5 | 9B | 136 BPM | ||
| Hurt Yourself | Lucas Holmes | E Major | 4 | 12B | 77 BPM | ||
| Half Loved | Haley Joelle | B♭ Major | 2 | 6B | 77 BPM | ||
| The Truth | Natalie 2V | B♭ Major | 4 | 6B | 138 BPM | ||
| He Hit Her | Henry Verus | F♯ Major | 2 | 2B | 192 BPM | ||
| Move On First | Sadie Jean | D Major | 3 | 10B | 103 BPM | ||
| I Love You, I'm Sorry | Kaiya Gamble | B♭ Major | 3 | 6B | 116 BPM | ||
| FM | Escape Box FM | F Major | 8 | 7B | 126 BPM | ||
| words run dry | Deeps | E Major | 4 | 12B | 137 BPM | ||
| Reckless | Kaiya Gamble | C Major | 4 | 8B | 140 BPM | ||
| birthday cake (sped up) | Dylan Conrique | B♭ Minor | 5 | 3A | 89 BPM | ||
| made for you | Jessica Baio | E Major | 4 | 12B | 137 BPM | ||
| Easy Loving You | CJ Fam | A Major | 2 | 11B | 64 BPM | ||
| close | Lydia Shute | D Major | 4 | 10B | 130 BPM | ||
| Drama King - Acoustic | Bellah Mae | D♭ Major | 3 | 3B | 123 BPM | ||
| super bass (sad and depressing version) | rag & kath | A♭ Major | 2 | 4B | 112 BPM | ||
| payphone - guitar version, sped up | guitar girl | E Major | 4 | 12B | 128 BPM | ||
| You Win, I Miss You | Trinity Lake | B♭ Major | 7 | 6B | 120 BPM | ||
| In My Life | Dan Cartwright | E Major | 3 | 12B | 129 BPM |