"Combat & Extras: Combat - Low Intensity - Threat - Section 1" by Erasmus Talbot had its release date on April 1, 2015. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 58 out of 86 in Elite: Dangerous Original Soundtrack by Erasmus Talbot. Combat & Extras: Combat - Low Intensity - Threat - Section 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Combat & Extras: Combat - Low Intensity - Threat - Section 1 by Erasmus Talbot is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atmosphera | Safura Gokmen, Snizilla | D Major | 2 | 10B | 87 BPM | ||
| Near Stars | Gusa Di Di | C Major | 1 | 8B | 110 BPM | ||
| A Welcome Respite | Jon Everist, Paradox Interactive | G Major | 5 | 9B | 100 BPM | ||
| Shifting Currents | Amos Roddy | E Minor | 1 | 9A | 102 BPM | ||
| Sabr | Culture Capital Music | E Minor | 2 | 9A | 100 BPM | ||
| I Disappear | Aysel Kazim, Selenay Kazim | A♭ Major | 4 | 4B | 143 BPM | ||
| hambre | LEKTERDROP | B♭ Minor | 2 | 3A | 94 BPM | ||
| The Wardens | Benjamin Young | G Major | 6 | 9B | 120 BPM | ||
| San Benedicto Island | Paul Leonard-Morgan | A♭ Major | 2 | 4B | 58 BPM | ||
| Obstacles | Aysel Kazim, Selenay Kazim | F♯ Minor | 3 | 11A | 170 BPM | ||
| A Lesson in Vengeance | Experia | D♭ Minor | 3 | 12A | 166 BPM | ||
| Calor De Noche | Moon Vagrants | C Major | 3 | 8B | 110 BPM | ||
| A City Underground | Max LL | E Minor | 1 | 9A | 66 BPM | ||
| Desillusion | CHLOE (Thévenin) | E Minor | 2 | 9A | 100 BPM | ||
| Voyager Crossing | Anže Rozman, Andrew Christie | G Minor | 1 | 6A | 129 BPM | ||
| LIMB Clinic | Michael McCann | A♭ Major | 1 | 4B | 83 BPM | ||
| Refuge | e.hillman | A♭ Major | 0 | 4B | 80 BPM | ||
| Life in Galaxy | Benny Marshal, Benny King | F Minor | 3 | 4A | 66 BPM | ||
| CO2 | George Strezov | A♭ Minor | 4 | 1A | 180 BPM | ||
| Mirages at Dawn | Knut Avenstroup Haugen, The Chamber Orchestra Of London | D Major | 1 | 10B | 100 BPM | ||
| Conocimiento Eterno | Los Elocuentes | D♭ Minor | 3 | 12A | 135 BPM | ||
| All which was lost has now been regained | RealX, EVE Online Music | B♭ Major | 3 | 6B | 160 BPM | ||
| Nova Citadel | Chronyxis | C Minor | 2 | 5A | 142 BPM | ||
| Nuevos Recuerdos | Los Elocuentes | B Minor | 1 | 10A | 88 BPM | ||
| Resonation | Jeff van Dyck | D Major | 1 | 10B | 72 BPM |