On October 17, 1976, the song "Theme From S.W.A.T." was released by Ray Conniff. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Send In The Clowns". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Theme From S.W.A.T.'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Theme From S.W.A.T. by Ray Conniff having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Último Rodeo | Cliff Mendoza | A♭ Major | 6 | 4B | 175 BPM | ||
| Matandome suavemente (Con su cancion) | Johnny Pearson Y Su Orquesta | F Minor | 2 | 4A | 93 BPM | ||
| Les papillons | André Popp | F Major | 7 | 7B | 124 BPM | ||
| Rachmaninoff's 2nd Piano Concerto | Orchestra del Oro | C Major | 7 | 8B | 116 BPM | ||
| The Story of Three Loves (The 18th Variation from Rapsodie on a Theme of Paganini) | Duane Eddy | D Major | 4 | 10B | 106 BPM | ||
| Never On Sunday | Percy Faith & His Orchestra | G Major | 3 | 9B | 134 BPM | ||
| Nocturne in E Flat Major Op.9 No.2 | Carmen Cavallaro | E♭ Major | 4 | 5B | 118 BPM | ||
| Fascination | Carmen Cavallaro | D♭ Major | 4 | 3B | 102 BPM | ||
| Concorde | Franck Pourcel | F Major | 9 | 7B | 147 BPM | ||
| Siboney | Mantovani y Su Gran Orquesta | C Minor | 5 | 5A | 79 BPM | ||
| Tico-Tico | Ray Conniff | A Major | 9 | 11B | 100 BPM | ||
| Carnival | Edmundo Ros & His Orchestra | F Minor | 5 | 4A | 67 BPM | ||
| El Manisero | Enrique Chia | G Major | 5 | 9B | 86 BPM | ||
| Siempre en Mi Corazón | Cuerdas y Metales | C Minor | 3 | 5A | 118 BPM | ||
| Puente Sobre el Rio Kwai | Carlos Velasco | C Major | 5 | 8B | 109 BPM | ||
| La Paloma | Billy Vaughn | C Major | 3 | 8B | 108 BPM | ||
| El Condor Pasa (If I Could) | The Ray Conniff Singers | D Minor | 5 | 7A | 89 BPM | ||
| The Continental | Billy May | A♭ Major | 2 | 4B | 82 BPM | ||
| L'amour est bleu | Paul Mauriat | E♭ Major | 4 | 5B | 118 BPM | ||
| Je T'Aime... Moi Non Plus | Paul Mauriat | D Major | 5 | 10B | 84 BPM | ||
| Chariot | Franck Pourcel | E♭ Major | 8 | 5B | 118 BPM | ||
| Third Man Theme | Horst Jankowski | C Major | 4 | 8B | 147 BPM | ||
| Cerezo Rosa - Remastered | Pérez Prado | E♭ Major | 5 | 5B | 116 BPM | ||
| Como Han Pasado los Años | Juan Torres Y Su Organo Melodico | F Major | 4 | 7B | 90 BPM | ||
| Brazil (From "The Eddy Duchin Story”, 1956 Film Score) | Carmen Cavallaro | C Major | 4 | 8B | 133 BPM |