"The Unanswered Question - Live" by Charles Ives, New York Philharmonic, Leonard Bernstein had its release date on January 1, 1990. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Charles Ives, New York Philharmonic, Leonard Bernstein's "Ives: Central Park In The Dark" album is number 11 out of 11. On top of that, Germany appears to be the country where this track was created. The Unanswered Question - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Unanswered Question - Live by Charles Ives, New York Philharmonic, Leonard Bernstein to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parade: Choral - Prélude du rideau rouge - Prestidigitateur chinois | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 80 BPM | ||
| Enigma Variations, Op. 36: Var. 8. Allegretto "W.N." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
| Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
| Three Pieces in Olden Style: 3. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 114 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: V. Adagio | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | B♭ Major | 0 | 6B | 115 BPM | ||
| Rothko Chapel 3 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| Ligeti : Romanian Concerto : I Andantino | György Ligeti, Jonathan Nott, Berliner Philharmoniker | C Major | 0 | 8B | 91 BPM | ||
| In the Light of Air: III. Existence | Anna Thorvaldsdottir, International Contemporary Ensemble | A Major | 2 | 11B | 139 BPM | ||
| Variations on a theme of Frank Bridge, Op. 10: IX. Funeral March | Benjamin Britten, English Chamber Orchestra | F Minor | 1 | 4A | 81 BPM | ||
| Nagoya Marimba | Steve Reich, Bob Becker, James Preiss | B Minor | 8 | 10A | 143 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | D Minor | 3 | 7A | 113 BPM | ||
| Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
| Das Rheingold, WWV 86A: Vorspiel - Remastered 2012 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A♭ Major | 1 | 4B | 133 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| Shaker Loops: 4. A Final Shaking | John Adams, San Francisco Symphony, Edo de Waart | E Minor | 2 | 9A | 171 BPM | ||
| Entr'acte | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 128 BPM | ||
| Tristan und Isolde, WWV 90, Act I: Prelude - Live | Richard Wagner, Bavarian Radio Symphony Orchestra, Leonard Bernstein | C Major | 1 | 8B | 77 BPM | ||
| 4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | ||
| Symphony No. 2 "The Age of Anxiety" / Part 1 / I. The Prologue: Lento moderato | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 74 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
| Divertimento for Strings, BB 118 (Sz.113): I. Allegro non troppo | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Finnish Radio Symphony Orchestra, Hannu Lintu | F Minor | 1 | 4A | 100 BPM |