On January 1, 2024, the song "All I Want Is You - Sped up + Reverb" was released by sped up and slowed down, Tootsie Roll. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. All I Want Is You - Sped up + Reverb's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 3 in All I Want Is You (Slowed + Sped up + Reverb) by sped up and slowed down, Tootsie Roll. Based on our statistics, All I Want Is You - Sped up + Reverb's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of All I Want Is You - Sped up + Reverb by sped up and slowed down, Tootsie Roll is Allegro (fast, quick, and bright), since this song has a tempo of 156 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasien op. 116: Intermezzo: Adagio | Johannes Brahms, Martin Tchiba | E Major | 0 | 12B | 66 BPM | ||
| 3 Old Viennese Dances: II. Liebesleid | Fritz Kreisler, Yo-Yo Ma, Patricia Zander | A Major | 0 | 11B | 85 BPM | ||
| 2 Arabesques, CD 74: No. 1 in E Major. Andantino con moto | Claude Debussy, Zoltán Kocsis | E Major | 0 | 12B | 70 BPM | ||
| Hi Heel Sneakers | sped up and slowed down, Jimmy Johnson | D Major | 6 | 10B | 90 BPM | ||
| Glinka / Arr Balakirev : The Lark | Mikhail Glinka, Izumi Tateno | B♭ Minor | 1 | 3A | 65 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Joe - Slowed + Reverb | sped up and slowed down, Hyla Parker | D Major | 5 | 10B | 139 BPM | ||
| Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | G Minor | 1 | 6A | 123 BPM | ||
| Walzer, Nr. 14, E-Moll, op. posth. | Peter Schmalfuss | E Major | 1 | 12B | 88 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Güher Pekinel, Éric Levionnais, Süher Pekinel | E♭ Major | 1 | 5B | 82 BPM | ||
| Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM | ||
| Intermezzo No. 2 in B-Flat Minor, Op. 117 - Andante non troppo e con molta espressione - Remastered | Johannes Brahms, Glenn Gould | B♭ Minor | 0 | 3A | 203 BPM | ||
| Deux Arabesques, L. 66: No. 1 in E Major. Andantino con moto | Claude Debussy, Alain Planès | E Major | 1 | 12B | 111 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| The Secret Life Of Daydreams - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | B♭ Major | 0 | 6B | 71 BPM | ||
| Arabesque No 1 In E Major - Sped up + Reverb | sped up and slowed down, Leff Pouishnov | F Minor | 0 | 4A | 60 BPM | ||
| debussy-Moonlight | Paulina Loseva | D♭ Major | 1 | 3B | 75 BPM | ||
| Glassworks: I. Opening | Philip Glass, Philip Glass Ensemble, Michael Riesman | C Minor | 1 | 5A | 139 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
| I Never Had The One I Wanted - Sped up + Reverb | Claude Gray, sped up and slowed down | G Major | 7 | 9B | 139 BPM | ||
| Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, Tamsin Waley-Cohen, David Curtis, Orchestra of the Swan | E Minor | 1 | 9A | 87 BPM | ||
| A Bed of Flowers | Million Eyes | F♯ Major | 0 | 2B | 69 BPM |