"How Deep This Goes (Variations on Behind The Wheel)" by Lorne Balfe, Peter Adams had its release date on October 31, 2025. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lorne Balfe, Peter Adams's "Hallow Road (Original Motion Picture Soundtrack)" album is number 3 out of 14. On top of that, United States appears to be the country where this track was created. How Deep This Goes (Variations on Behind The Wheel) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of How Deep This Goes (Variations on Behind The Wheel) by Lorne Balfe, Peter Adams to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Interplanetary | Melodysheep | G Minor | 1 | 6A | 148 BPM | ||
| Should You Choose to Accept... | Lorne Balfe | A Major | 1 | 11B | 72 BPM | ||
| Mary of Shadows | Stephen James Moore, Steve Moore | E Minor | 2 | 9A | 113 BPM | ||
| The Crash | David Schweitzer | A♭ Major | 3 | 4B | 95 BPM | ||
| This Land Belonged to the Elves | Joseph Trapanese, Max Davidoff-Grey, Clark Rhee | G Major | 4 | 9B | 150 BPM | ||
| The Letters | Bobby Krlic | D Major | 1 | 10B | 80 BPM | ||
| He Took It | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Aqua | Lorne Balfe | G Minor | 2 | 6A | 150 BPM | ||
| Daily Tasks | Bobby Krlic | D Major | 1 | 10B | 80 BPM | ||
| The Lord's Army | Joseph Trapanese, Jason Lazarus | D Minor | 0 | 7A | 78 BPM | ||
| Sara’s Theme | Ralf Hildenbeutel | F Minor | 5 | 4A | 90 BPM | ||
| Beneath the Sacred Tree | Tobias Hausmann | C Minor | 1 | 5A | 88 BPM | ||
| Celestial Blessing | Celestial Aeon Project | G Minor | 1 | 6A | 148 BPM | ||
| Childhood Clues | Natalie Holt | C Major | 1 | 8B | 138 BPM | ||
| Not the End | Joseph Trapanese, Max Davidoff-Grey, Yaron Cherniak | G Major | 1 | 9B | 82 BPM | ||
| PART I BEGINNING OF THE STORY | Zbigniew Preisner, Jacek Kaspszyk, Sinfonia Varsovia | A Minor | 1 | 8A | 79 BPM | ||
| You're Such A Hazard | Lorne Balfe, Joshua Pacey | C Minor | 0 | 5A | 66 BPM | ||
| Protecting Mom | Jeremiah Fraites | E♭ Major | 1 | 5B | 148 BPM | ||
| Corrupted Light | David Buckley | F Major | 3 | 7B | 161 BPM | ||
| Of a ghost | Max Richter | B♭ Major | 2 | 6B | 72 BPM | ||
| Happily Ever After: End Credits | Roque Baños, Ben Cherney | G Minor | 1 | 6A | 148 BPM | ||
| Look at me | Max Richter | B♭ Major | 2 | 6B | 72 BPM | ||
| Omega Region | Bleeding Fingers, James Everingham | F Major | 2 | 7B | 120 BPM | ||
| The Moment of Death | Atticus Ross, Leopold Ross, Nick Chuba | G Major | 2 | 9B | 134 BPM | ||
| Cello Theme - From "World Trade Center" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM |