Mukesh, Laxmikant–Pyarelal's ' "Rama O Rama" was released on its scheduled release date, January 1, 1972. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 5 in Ek Bechara by Laxmikant–Pyarelal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Rama O Rama is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Rama O Rama by Mukesh, Laxmikant–Pyarelal is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pehla Nasha | Udit Narayan, Sadhana Sargam | F Major | 3 | 7B | 152 BPM | ||
| Kisi Nazar Ko Tera Intezar | Asha Bhosle, Bhupinder Singh | B♭ Minor | 5 | 3A | 93 BPM | ||
| Dil Ki Nazar Se | Lata Mangeshkar, Mukesh | F Minor | 2 | 4A | 83 BPM | ||
| Maine Tere Liye | Mukesh | E♭ Major | 7 | 5B | 126 BPM | ||
| Commentry Tabassum And Aaiye Meharban - Howrah Bridge | Tabassum, Asha Bhosle, O. P. Nayyar | C Major | 5 | 8B | 119 BPM | ||
| Teri Duniya Mein Jeene Se | Hemant Kumar | D Minor | 4 | 7A | 102 BPM | ||
| Tum Ko Mere Dil Ne Pukara | Shailendra Singh, Kanchan, Kalyanji-Anandji | G Major | 4 | 9B | 179 BPM | ||
| Bole Re Papihara | Vani Jairam | D♭ Minor | 7 | 12A | 89 BPM | ||
| Ek Pyar Ka Naghma Hai | Lata Mangeshkar, Mukesh | D Major | 4 | 10B | 89 BPM | ||
| Aye Qatib-e-Taqdeer Mujhe | K. L. Saigal | G Major | 3 | 9B | 71 BPM | ||
| Awaz De Kahan Hai | Noor Jehan, Surendra | E Major | 2 | 12B | 76 BPM | ||
| Yaar Bina Chain Kanha Ray | Bappi Lahiri, S. Janaki | E Major | 5 | 12B | 131 BPM | ||
| Do Dil Mil Rahe Hai | Kumar Sanu | B♭ Major | 5 | 6B | 94 BPM | ||
| Beshak Mandir Masjid Todo | Narendra Chanchal, Laxmikant–Pyarelal | A Major | 4 | 11B | 83 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| Yeh Raat Yeh Chandni | Hemant Kumar | D Major | 3 | 10B | 81 BPM | ||
| Tu Jo Mere Sur Men Sur Milaye | K. J. Yesudas, Hemlata | C Major | 4 | 8B | 103 BPM | ||
| Surmayee Ankhiyon Mein - Happy Version | Ilaiyaraaja, K. J. Yesudas | F♯ Minor | 4 | 11A | 96 BPM | ||
| Aaina Mujhse Mere | Talat Aziz | F♯ Minor | 5 | 11A | 138 BPM | ||
| Pal Pal Dil Ke Paas - From "Blackmail" | Kishore Kumar | B♭ Minor | 5 | 3A | 121 BPM | ||
| Hangama Hai Kiyon Barbad | Ghulam Ali | E♭ Minor | 8 | 2A | 113 BPM | ||
| Bahon Mein Chale Aao (From "Anamika") | Tabassum, Lata Mangeshkar | F♯ Major | 3 | 2B | 73 BPM | ||
| Tum To Dil Ke Taar Chhed Kar | Talat Mahmood | E♭ Major | 4 | 5B | 107 BPM | ||
| Tum Roothi Raho | Lata Mangeshkar, Mukesh | F♯ Major | 5 | 2B | 89 BPM | ||
| Dil Hoom Hoom Kare - Male Version | Bhupen Hazarika | F♯ Major | 5 | 2B | 100 BPM |