Rezaka's ' "Decepción" was released on its scheduled release date, September 10, 2004. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rezaka's "Lejos de Aquí" album is number 11 out of 13. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Decepción is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Decepción by Rezaka to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Sin Nombre | 3Punktas | D Major | 9 | 10B | 133 BPM | ||
| ¿Por qué a mí? | Tragokorto | G Minor | 9 | 6A | 180 BPM | ||
| Temporal | Sin Perdón | D♭ Major | 9 | 3B | 108 BPM | ||
| Parte Del Problema | Dalevuelta | A Major | 9 | 11B | 119 BPM | ||
| Un Día Más | Tyler | A♭ Minor | 9 | 1A | 117 BPM | ||
| Movie-Miento | Sin Censura | B♭ Minor | 9 | 3A | 160 BPM | ||
| El Mundo Ahora | Parasitos Urbanos | D Minor | 9 | 7A | 136 BPM | ||
| Verme Caer | Diazepunk | E Major | 9 | 12B | 180 BPM | ||
| No Estás Sola | Metamorphosis | E Major | 10 | 12B | 102 BPM | ||
| Cada Mañana | TERREVIENTO | G Major | 9 | 9B | 105 BPM | ||
| Los Fines de Semana | YANKENPUNK | G Minor | 9 | 6A | 115 BPM | ||
| Parasito | INYECTORES | G Major | 10 | 9B | 150 BPM | ||
| Hoy y Ayer | 40 Gramos | G Major | 8 | 9B | 93 BPM | ||
| Fama | 3-60 | F♯ Major | 8 | 2B | 92 BPM | ||
| Voltear la Página | Rezaka | C Major | 9 | 8B | 105 BPM | ||
| En el Más Allá | Play Attenchon | B♭ Minor | 9 | 3A | 112 BPM | ||
| Poder Volar | INYECTORES | G Minor | 9 | 6A | 115 BPM | ||
| Tus Palabras | Sin Censura | E Major | 10 | 12B | 110 BPM | ||
| Pero Mira | Imaginaria | B♭ Major | 8 | 6B | 170 BPM | ||
| Tu Perdón | Play Attenchon | B♭ Minor | 9 | 3A | 112 BPM | ||
| Desgaste Por Uso Cotidiano | Marciano Solitario | F♯ Major | 1 | 2B | 79 BPM | ||
| ELLA ENTRO EN EL BAR | 3 AL HILO | E Major | 10 | 12B | 175 BPM | ||
| AMOR DE VERANO | Des-Orden, Explenden | E Major | 8 | 12B | 170 BPM | ||
| Gente Estupida | Asmereir | G Major | 9 | 9B | 152 BPM | ||
| De la Mano de los Vagos | Atómica | A Major | 9 | 11B | 109 BPM |