George Jones, Vern Gosdin's 'All That We've Got Left' had a release date set for January 1, 1979. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. All That We've Got Left's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Jones's "My Very Special Guests (Legacy Edition)" album is number 13 out of 37. On top of that, United States appears to be the country where this track was created. Based on our statistics, All That We've Got Left's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of All That We've Got Left by George Jones, Vern Gosdin to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're the Best Break This Old Heart Ever Had | Ed Bruce | E Major | 4 | 12B | 83 BPM | ||
| Barrooms to Bedrooms | David Wills | D Major | 6 | 10B | 96 BPM | ||
| I Would Have Loved You All Night Long | Doug Supernaw | F Major | 4 | 7B | 106 BPM | ||
| Soul of a Lonely Man | Shane Worley | D Major | 5 | 10B | 74 BPM | ||
| The Right to Be Wrong | Shane Worley | E Major | 5 | 12B | 112 BPM | ||
| You Don't Know What It's Like | Confederate Railroad | F Major | 6 | 7B | 122 BPM | ||
| Wanting You But Never Having You | Jack Greene | G Major | 2 | 9B | 115 BPM | ||
| Somebody Hold Me Until She Passes By | Narvel Felts | C Major | 3 | 8B | 89 BPM | ||
| Cross My Heart and Hope to Try | Billy Joe Royal, Ron "Snake" Reynolds | A Major | 4 | 11B | 85 BPM | ||
| After The Fire Is Gone | Tammy Wynette, George Jones | E♭ Major | 3 | 5B | 106 BPM | ||
| I Wish That I Could Hurt That Way Again | T. Graham Brown | F Major | 4 | 7B | 128 BPM | ||
| Oh What It Did To Me | Tanya Tucker | B Major | 4 | 1B | 84 BPM | ||
| The Pleasure's All Mine | Ken Mellons | C Major | 4 | 8B | 89 BPM | ||
| Same Ole Me | George Jones | G Major | 3 | 9B | 109 BPM | ||
| I Call It Love | Mel McDaniel, Oklahoma Wind | F♯ Major | 4 | 2B | 79 BPM | ||
| I Wouldn't Change You If I Could | Ricky Skaggs | F Major | 4 | 7B | 138 BPM | ||
| Where Forever Begins | Elvis Barker | G Major | 3 | 9B | 94 BPM | ||
| Silver Eagle | Merle Haggard, George Jones | D♭ Major | 2 | 3B | 152 BPM | ||
| Your Man Loves You Honey | Tom T. Hall | A Major | 4 | 11B | 102 BPM | ||
| Rain mount | James Whitex | A Major | 3 | 11B | 100 BPM | ||
| Hopelessly Yours | Lee Greenwood, Suzy Bogguss | F Major | 3 | 7B | 74 BPM | ||
| Honkey Tonk Heart | Highway 101 | C Major | 7 | 8B | 141 BPM | ||
| Shackles And Chains | Haggard, Merle | G Major | 2 | 9B | 109 BPM | ||
| Doctor Jesus | Ken Mellons | E♭ Major | 5 | 5B | 86 BPM | ||
| Behind Closed Doors | Charlie Rich | D Major | 3 | 10B | 85 BPM |