On January 1, 1992, the song "High Tech Heraclitus" was released by Ed Sanders. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Songs In Ancient Greek". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, High Tech Heraclitus's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With High Tech Heraclitus by Ed Sanders having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Desolation Angels | Jack Kerouac | C Minor | 1 | 5A | 107 BPM | ||
| Ship of Life | The Last River Bottomed Fig Plucker | D Major | 1 | 10B | 113 BPM | ||
| Introduction to the Pullen Song | Michael Harris | F♯ Minor | 3 | 11A | 93 BPM | ||
| Who Is Like | niromez | C Major | 2 | 8B | 90 BPM | ||
| Don't Fuck with Me | Marvin Pontiac | A Minor | 4 | 8A | 117 BPM | ||
| Travel | Blake Mann | E Major | 2 | 12B | 76 BPM | ||
| Mock Orange | Louise Gluck | B♭ Minor | 4 | 3A | 111 BPM | ||
| No Other God Like You | Gce Godsaves | A♭ Major | 1 | 4B | 68 BPM | ||
| Clarity | John S. Hall, Kramer | A Major | 6 | 11B | 92 BPM | ||
| Turn the Page | DOUBLE TROUBLE X2, The Original DOUBLE TROUBLE Duo, Sister Violins, Emily E. Finke | D Major | 2 | 10B | 79 BPM | ||
| The Most Dangerous Woman | Ani DiFranco, Utah Phillips | D Major | 3 | 10B | 148 BPM | ||
| Yaweh You Have Been | Bonskimez | A♭ Major | 1 | 4B | 68 BPM | ||
| Insanity | KRLPZ | A♭ Major | 1 | 4B | 68 BPM | ||
| Endangered Species | Derek & Clive | D♭ Major | 1 | 3B | 113 BPM | ||
| As I Walked out One Evening | W. H. Auden | B♭ Minor | 2 | 3A | 112 BPM | ||
| Had To Bring Disco Back Freestyle - Raw Vocals Version | ItsZem | A♭ Major | 1 | 4B | 68 BPM | ||
| Come Around - Live | MIK's Reaction, Jambaroo | F Major | 0 | 7B | 176 BPM | ||
| Matisse | Ed Sanders | E♭ Major | 8 | 5B | 128 BPM | ||
| Let Go | Olugbu | A♭ Major | 1 | 4B | 68 BPM | ||
| Slaughterhouse 5, Pt. 10 | Kurt Vonnegut | F Major | 1 | 7B | 87 BPM | ||
| The Creation Of The Morning Line | Charles Bukowski | E♭ Major | 0 | 5B | 84 BPM | ||
| BOLD | 利佐 | D♭ Minor | 2 | 12A | 146 BPM | ||
| BOJO THE BONGO WAKES UP - Original | Musicals For Children | B Minor | 8 | 10A | 115 BPM | ||
| SLANG | Speed rail | D♭ Major | 3 | 3B | 139 BPM | ||
| Finale Set | Tiny Tim | A♭ Major | 1 | 4B | 68 BPM |