Chris Wind's 'Pieces For Piano, Op.1 No.7' had a release date set for January 1, 2009. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Pieces For Piano, Op.1 No.7's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Ruby Rose". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Pieces For Piano, Op.1 No.7 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pieces For Piano, Op.1 No.7 by Chris Wind having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forest | Aererina | G Major | 1 | 9B | 67 BPM | ||
| If We Were Together | Marie Dassel | D Major | 0 | 10B | 90 BPM | ||
| Pieces For Piano, Op.1 No.6 | Chris Wind | F Minor | 3 | 4A | 100 BPM | ||
| Falling Machine | Miles Spread | B♭ Major | 3 | 6B | 89 BPM | ||
| TE VAS | Maria Leonor Hernandez Duran | C Major | 0 | 8B | 57 BPM | ||
| From East to West | Sumi Kay Jones | B♭ Major | 3 | 6B | 117 BPM | ||
| GETOUT MEN 026 | Taram Tula | D♭ Major | 5 | 3B | 76 BPM | ||
| Counting Control | The Conet Project | A♭ Minor | 10 | 1A | 87 BPM | ||
| Marve - Drumless Slowed | Willy Smart | C Major | 0 | 8B | 128 BPM | ||
| Jugetes | rodrigo lopez | F♯ Major | 9 | 2B | 140 BPM | ||
| Pieces For Sax (2) | Chris Wind | B♭ Minor | 2 | 3A | 103 BPM | ||
| Thoughts of Eswatini | Lorenzo Dinapoli | C Major | 1 | 8B | 146 BPM | ||
| The Long Walk Home | ALE TRIP, OLYMPE ANNE DEPOLIGNAC | F♯ Major | 2 | 2B | 138 BPM | ||
| 鎮日 | noa | C Major | 0 | 8B | 128 BPM | ||
| Gas Money | Drink Club | A Minor | 1 | 8A | 120 BPM | ||
| Thirteen | Craig Colorusso | B♭ Minor | 0 | 3A | 70 BPM | ||
| Paths of Light | Lumi Risto | C Major | 0 | 8B | 128 BPM | ||
| Going to Sleep | Joanna Brouk | B Minor | 0 | 10A | 66 BPM | ||
| Regina | Kwiecen | G Minor | 4 | 6A | 117 BPM | ||
| THE 9TH CENTURY B.C XII | PROVISIONEDBEATS | N/A | N/A | N/A | 0 BPM | ||
| Woman in Late | Giovanni Venosta | E♭ Major | 1 | 5B | 107 BPM | ||
| Clara | Zeno Gabaglio | F Major | 1 | 7B | 96 BPM | ||
| Pixel De Arena | Hinevanny Belén | A♭ Major | 4 | 4B | 37 BPM | ||
| Red T-Bar Dancers. | GRANDAD HOLT. | F Minor | 4 | 4A | 106 BPM | ||
| Vacio | Yordy | B♭ Minor | 4 | 3A | 174 BPM |