"Blue in Void - 限りなく透明に近い青" by Calm had its release date on December 22, 2021. This song is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 3 out of 10 in before - いままでのむこうがわ - by Calm. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Blue in Void - 限りなく透明に近い青's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Blue in Void - 限りなく透明に近い青 by Calm is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Méditation | Virginie Reid | B♭ Minor | 1 | 3A | 72 BPM | ||
| I'm walking home | Shabason, Krgovich & Harris, Thom Gill | G Minor | 0 | 6A | 73 BPM | ||
| Castaway | Robin Guthrie | A Minor | 2 | 8A | 144 BPM | ||
| Dahlia Dusk | Happy Imaeda | G Major | 9 | 9B | 93 BPM | ||
| Horizontal Departure | Norman Feller | D♭ Major | 6 | 3B | 95 BPM | ||
| Expedition | Light Blending In | B♭ Minor | 1 | 3A | 72 BPM | ||
| The Tigris and Euprathis Rivers | Fuad Kunya Khaleel | G Minor | 5 | 6A | 100 BPM | ||
| CLEO | Alessandro Savino Electro Project | A♭ Minor | 2 | 1A | 176 BPM | ||
| Talking Drum | Slow Riffs | B Minor | 4 | 10A | 125 BPM | ||
| Sub-Surface | John Beltran | A♭ Major | 4 | 4B | 78 BPM | ||
| Elvis | Danny Scott Lane | F♯ Major | 5 | 2B | 111 BPM | ||
| Dripping (feat. Masanori Ikeda & Takumi Kaneko) | Coastlines, Masanori Ikeda, Takumi Kaneko | B♭ Major | 2 | 6B | 106 BPM | ||
| Space Is My Place (Mark Barrott's Re-Imagination to the Sacred Heart Center) | Calm | D Major | 7 | 10B | 93 BPM | ||
| Analizador Sintático | Pessoas Que Eu Conheço | B♭ Minor | 1 | 3A | 72 BPM | ||
| Even In Kyoto I Long For Kyoto | The Kyoto Connection | A Minor | 3 | 8A | 130 BPM | ||
| Wash Out | Arrangement | F Major | 4 | 7B | 123 BPM | ||
| Tibetan Trains | Woo | B♭ Minor | 1 | 3A | 72 BPM | ||
| I Am The Sun, You Are The Moon | Mark Barrott, Norma Winstone, Leo Taylor | B♭ Minor | 3 | 3A | 142 BPM | ||
| I Follow a Barren Path Across the Old Mountain | aus, The Humble Bee | B♭ Minor | 1 | 3A | 72 BPM | ||
| Hear the Rhythm | Alexis Aura | G Minor | 2 | 6A | 67 BPM | ||
| Xerox | D.K. / S.K., D.K., Suzanne Kraft | B Minor | 2 | 10A | 178 BPM | ||
| Falling From Heaven | Prod. By So-Si | B♭ Minor | 2 | 3A | 176 BPM | ||
| Summit | Riverside Underground | B♭ Minor | 1 | 3A | 72 BPM | ||
| Getting Started | Danny Scott Lane | F♯ Major | 5 | 2B | 111 BPM | ||
| Sea Surprise | Alberto Moggi, Sound Ripples | A♭ Major | 3 | 4B | 80 BPM |