Rudy Wiedoeft, Victor Herbert, Paul Brodie, Eric Robertson's 'Mlle. Modiste: Kiss Me Again , "If I Were on the Stage" (arr. for saxophone and ensemble)' had a release date set for January 1, 1994. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 22 in Brodie, Paul: Back To the '20S by Paul Brodie. Mlle. Modiste: Kiss Me Again , "If I Were on the Stage" (arr. for saxophone and ensemble) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mlle. Modiste: Kiss Me Again , "If I Were on the Stage" (arr. for saxophone and ensemble) by Rudy Wiedoeft, Victor Herbert, Paul Brodie, Eric Robertson is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scaramouche, Op. 165d: II. Modéré | Sebastian Manz, Martin Klett | B♭ Major | 0 | 6B | 65 BPM | ||
| Respectfully Yours (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | E♭ Major | 5 | 5B | 123 BPM | ||
| Mississipi Rag | Claude Bolling | B♭ Major | 4 | 6B | 109 BPM | ||
| Hungarian Dances, WoO 1: No. 2 in D Minor, Allegro non assai | Johannes Brahms, Ludmila Peterková, Irina Kondratenko | D Minor | 1 | 7A | 142 BPM | ||
| Come Sunday: II. Shout! | Omar Thomas, United States Marine Band, Ryan Nowlin | C Minor | 6 | 5A | 139 BPM | ||
| Waiting For The Robert E Lee | Claude Bolling | C Major | 5 | 8B | 131 BPM | ||
| Saxema | Rudy Wiedoeft, Paul Brodie, Eric Robertson, Jim Pirie, Rick Homme, Brian Leonard | G Major | 6 | 9B | 116 BPM | ||
| Harlem Rag | Tom Turpin, Rogers Shields | D Major | 3 | 10B | 101 BPM | ||
| Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
| Little Bits | Johnny Dodds, Jimmy Blythe | C Major | 1 | 8B | 163 BPM | ||
| Clarinet Wobble | Johnny Dodds | C Major | 1 | 8B | 163 BPM | ||
| Tom Cat Blues | Norbert Susemihl, Jason Marsalis, Erika Lewis, Shaye Cohn | F Major | 3 | 7B | 133 BPM | ||
| Satie: Pièces froides, Vol. II, Danses de travers: No. 2, Passer | Erik Satie, Aldo Ciccolini | C Major | 1 | 8B | 163 BPM | ||
| Brittwood Rag | James Hubert Blake, Morten Gunnar Larsen | B♭ Major | 1 | 6B | 116 BPM | ||
| Waltzing In The Clouds | Victor Silvester and his Ballroom Orchestra | A♭ Major | 0 | 4B | 93 BPM | ||
| Prends-moi matelot - Instrumental from Borsalino & Co | Claude Bolling | G Major | 2 | 9B | 86 BPM | ||
| 5 Bagatelles for clarinet and piano, Op. 23: 5. Fughetta - Allegro vivace | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Major | 1 | 7B | 134 BPM | ||
| Saxophobia | Rudy Wiedoeft, Paul Brodie, Eric Robertson, Jim Pirie, Rick Homme, Brian Leonard | E♭ Major | 4 | 5B | 113 BPM | ||
| Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
| St James Infirmary | King Oliver | F Minor | 4 | 4A | 106 BPM | ||
| Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro | Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E Minor | 2 | 9A | 129 BPM | ||
| Scaramouche, Op. 165c: II. Modéré | Darius Milhaud, Sohre Rahbari, Brussels Philharmonic, Ali Rahbari | C Major | 1 | 8B | 163 BPM | ||
| Symphony No. 1, RO 255 "La nuit des tropiques": II. Allegro moderato | Louis Moreau Gottschalk, Vienna State Opera Orchestra, Igor Buketoff | G Major | 1 | 9B | 117 BPM | ||
| Symphonic Raps | The Charleston Chasers | F Major | 5 | 7B | 118 BPM | ||
| Valse Vanite | Rudy Wiedoeft, Freddy Gardner, Peter Yorke Concert Orchestra | F♯ Major | 4 | 2B | 180 BPM |