Catatonia's ' "Shore Leave" was released on its scheduled release date, 2001. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Paper Scissors Stone". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. The popularity of Shore Leave is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Shore Leave by Catatonia having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Extraordinary | Ultra Vivid Scene | A Major | 4 | 11B | 138 BPM | ||
| Goo | Jacinthe Wehner | B Major | 5 | 1B | 114 BPM | ||
| Grief Disguised as Joy | Terry Hall | A Minor | 7 | 8A | 120 BPM | ||
| Pretty Deep | Tanya Donelly | D Major | 7 | 10B | 123 BPM | ||
| Lost Myself | Longpigs | A Major | 7 | 11B | 146 BPM | ||
| Love Like Semtex | Rialto | A Major | 4 | 11B | 108 BPM | ||
| 500 (Shake Baby Shake) | Lush | A Major | 8 | 11B | 133 BPM | ||
| We Are the Pigs | Suede | A♭ Minor | 7 | 1A | 97 BPM | ||
| Valet Parking | The Auteurs | D Major | 4 | 10B | 143 BPM | ||
| Johnny Come Lately | Catatonia | D Major | 5 | 10B | 149 BPM | ||
| How Could I Be Wrong | The Auteurs | D Major | 4 | 10B | 143 BPM | ||
| This World Needs a Father | Suede | F♯ Major | 8 | 2B | 105 BPM | ||
| Are You Blue Or Are You Blind? | The Bluetones | D Major | 9 | 10B | 127 BPM | ||
| Tattva | Kula Shaker | F Major | 9 | 7B | 118 BPM | ||
| Four Walls | Cast | F♯ Major | 7 | 2B | 118 BPM | ||
| John and Sue | The Frank And Walters | F Major | 9 | 7B | 134 BPM | ||
| Londinium | Catatonia, Roland Herrington, Tommy D | B Major | 7 | 1B | 94 BPM | ||
| Coming in from the Cold | The Delgados | C Major | 7 | 8B | 89 BPM | ||
| Post Script | Catatonia, Tommy D And Joe Gibb | G Major | 5 | 9B | 96 BPM | ||
| Hooked | Catatonia | G Major | 6 | 9B | 164 BPM | ||
| Slow Graffiti | Belle and Sebastian | D♭ Major | 3 | 3B | 108 BPM | ||
| Inside | Patti Rothberg | D Major | 9 | 10B | 143 BPM | ||
| Baby Blue | Longpigs | F Minor | 6 | 4A | 168 BPM | ||
| All Hype | Longpigs | D Major | 2 | 10B | 75 BPM | ||
| Vegas | Sleeper | E Major | 6 | 12B | 119 BPM |