"Aaji Tomay Abar Chai Shunabare" by Rajeswari Dutta had its release date on January 1, 1957. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 20 in Abaar Chai Shunabare by Rabindranath Tagore, Rajeswari Dutta. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Aaji Tomay Abar Chai Shunabare is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aaji Tomay Abar Chai Shunabare by Rajeswari Dutta is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shashan To Bhalobasis | Dhananjay Bhattacharya | C Major | 6 | 8B | 113 BPM | ||
| Hare Krishna Vol 3 Part 1 - Original | Bitu Samajpati, NA | D Major | 5 | 10B | 127 BPM | ||
| Joy Ma Janani | Swaraj Roy | E♭ Major | 2 | 5B | 93 BPM | ||
| Amar Hridoye | Prasun Mukherjee | E Minor | 4 | 9A | 151 BPM | ||
| Eso Go Jwele Diye Jao | Debabrata Biswas | B Major | 3 | 1B | 91 BPM | ||
| Sakhi Andhare Ekela Ghore | Rajeswari Dutta | E♭ Major | 1 | 5B | 135 BPM | ||
| Jiboner Golpo | Abdul Hadi, Monir Khan, Abida Sultana | E♭ Major | 5 | 5B | 192 BPM | ||
| Sri Ramakrishna Pronam Mantra | Mahesh Ranjan Shome | B♭ Minor | 4 | 3A | 140 BPM | ||
| Jemon Sreeradha Kande | Shyamal Mitra | D♭ Major | 2 | 3B | 66 BPM | ||
| Kandari Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| Alga Koro Go Khompar Badhon | Mohammed Rafi | D♭ Major | 5 | 3B | 96 BPM | ||
| Ami Sohite Pari Na Bala | S. D. Burman | D♭ Minor | 3 | 12A | 105 BPM | ||
| Ke Baleche Ma Aamar | Parikshit Bala | E♭ Minor | 5 | 2A | 155 BPM | ||
| Jamuna Kinare | Sandhya Mukherjee, Akhil Bandhu Ghosh | F♯ Major | 4 | 2B | 78 BPM | ||
| Hangsa Pakha Diye Klanta Raater | Shyamal Mitra | B♭ Major | 4 | 6B | 127 BPM | ||
| O Ki Gariyal Bhai | Rathindranath Roy | A Major | 9 | 11B | 156 BPM | ||
| Amaspandito Ghano Ratri | Pannalal Bhattacharya | A♭ Major | 4 | 4B | 103 BPM | ||
| Dakshina Kali Dhyan Mantra | Natraj Chatterjee | E Minor | 5 | 9A | 116 BPM | ||
| Maa Tor Kato Rango Dekhbo Bal | Pannalal Bhattacharya | C Major | 3 | 8B | 71 BPM | ||
| Amar Mon Mane Na | Mita Chatterjee, Rabindranath Tagore | D Major | 1 | 10B | 129 BPM | ||
| Amaar Naiba Holo | Kumar Sanu | F♯ Minor | 3 | 11A | 143 BPM | ||
| Prem Lagana Chahi Re Manwa | Binota Chakraborty | A Minor | 2 | 8A | 103 BPM | ||
| Ki Bole Daki Tore Ma | Dhananjay Bhattacharya | F Major | 3 | 7B | 79 BPM | ||
| Amar Ei Poth Chaowatei Ananda | Suchitra Mitra | F♯ Minor | 6 | 11A | 94 BPM | ||
| Amay Ekjan Sada Manus Dao | Bhupen Hazarika | D Major | 4 | 10B | 81 BPM |