Shree Swaminarayan Mandir Kalupur's 'Jay Kapi Balavanta' had a release date set for April 24, 2024. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Shree Swaminarayan Mandir Kalupur's "Hanuman Gungan" album is number 1 out of 6. On top of that, India appears to be the country where this track was created. Jay Kapi Balavanta is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jay Kapi Balavanta by Shree Swaminarayan Mandir Kalupur to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aayo Fagun Melo | Jignesh Shah | C Minor | 8 | 5A | 142 BPM | ||
| Kaun Bigadega Jab Ram Sahara Hai | Mukul Dwivedi, Vishvjeet Sharma | D♭ Minor | 6 | 12A | 81 BPM | ||
| Prabhu Shu Pritadi | Rajkot Gurukul | F♯ Major | 6 | 2B | 164 BPM | ||
| Kachi Re Matinu Kodiyu | Hari Bharwad | A♭ Major | 5 | 4B | 106 BPM | ||
| Shiv Mala 108 - Om Namah Shivaya | Nikita Waghela | F♯ Major | 6 | 2B | 80 BPM | ||
| Mara Ghatma Birajata Hanumanji (Male Version) | Salangpur Hanumanji - Official | F Minor | 8 | 4A | 82 BPM | ||
| Sadguru Maro Taran Har | Lalita Ghodadra | F Major | 8 | 7B | 101 BPM | ||
| Khamma Re Bahuchar Maat - Aarti | Ami Joshi, Asif Jeriya | F Minor | 7 | 4A | 87 BPM | ||
| O SHRINATHJI AVJO TAME | Priti Gajjar | F Minor | 6 | 4A | 131 BPM | ||
| Maa Pava Te Gadh Thi | Kanu Patel | B♭ Minor | 4 | 3A | 86 BPM | ||
| Purshottam Praan Thi Pyaara | Shree Swaminarayan Mandir Kalupur | E♭ Major | 6 | 5B | 151 BPM | ||
| Jay Kana Kala (Aarti) | Navneet Shukla | G Major | 7 | 9B | 79 BPM | ||
| Ghor Andhari Re | Nayan Pancholi | B♭ Minor | 7 | 3A | 125 BPM | ||
| Bhavsambhav | Shree Swaminarayan Mandir Kalupur | D♭ Major | 4 | 3B | 90 BPM | ||
| Vijali Ne Chamkare Motida Parovi Santo | Damyanti Bardai | B Major | 7 | 1B | 105 BPM | ||
| Narnarayan Strotra | Shree Swaminarayan Mandir Kalupur | E♭ Major | 4 | 5B | 100 BPM | ||
| Judai Na Zeer Paya Re | Vikram Thakor | A♭ Major | 8 | 4B | 126 BPM | ||
| Arati | Swami Shree Chhapaiyaprakashdasji | F Major | 6 | 7B | 96 BPM | ||
| tu tarje | Vaibhav Bagmar | D♭ Minor | 5 | 12A | 90 BPM | ||
| Shreejibaba Din Dayada | Master Rana | E Major | 5 | 12B | 82 BPM | ||
| Vidhina Lakhiya Lekh | Hari Bharwad | A♭ Major | 8 | 4B | 114 BPM | ||
| He Karuna Karnara | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Hala Vala Mare Hirani Dori | Kiran Prajapati | A♭ Minor | 9 | 1A | 135 BPM | ||
| Dhan Dhan Ho Reva Mai | Nimadi Narmada Bhajan | Ashwin Yadav, Badal Joshi, O P Patel | G Major | 6 | 9B | 150 BPM | ||
| DRADH HIN CHARNN | Nitin Devka | D♭ Major | 7 | 3B | 89 BPM |