The Wilsons's 'You Can Tell By My Eyes' had a release date set for February 3, 2014. This song is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The song is number 5 out of 6 in Boot Hill by The Wilsons. In terms of popularity, You Can Tell By My Eyes is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of You Can Tell By My Eyes by The Wilsons is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Train | Natalie Frank | E Major | 8 | 12B | 118 BPM | ||
| Just To Hear You Say That You Love Me | Chynna Phillips | G Major | 6 | 9B | 159 BPM | ||
| Right Or Wrong | Sheena Easton | G Major | 6 | 9B | 122 BPM | ||
| Flesh And Blood | Wilson Phillips | G Major | 3 | 9B | 142 BPM | ||
| Back of the Bottom Drawer | Chely Wright | E♭ Major | 7 | 5B | 134 BPM | ||
| I've Loved Enough To Know | Deana Carter | A♭ Major | 7 | 4B | 120 BPM | ||
| Ridin' Under Starlight | Willow Vaughn | E♭ Major | 6 | 5B | 129 BPM | ||
| When We Collide | k.d. lang | E Minor | 6 | 9A | 182 BPM | ||
| Crash | The Wilsons | A♭ Major | 9 | 4B | 107 BPM | ||
| Cryin' Game | Sara Evans | D♭ Major | 7 | 3B | 118 BPM | ||
| It's Right in Your Mind | Merle Klein | F Major | 7 | 7B | 91 BPM | ||
| It Could Have Been Anyone | Carole King | D Major | 5 | 10B | 148 BPM | ||
| Late Nights | Neon Gravel Theory | E♭ Major | 6 | 5B | 129 BPM | ||
| Fool, I'm a Woman | Sara Evans | G Major | 7 | 9B | 123 BPM | ||
| Nothing Sacred | Jonatha Brooke & The Story | A Minor | 6 | 8A | 99 BPM | ||
| Do It Again | Brian Wilson, Wendy Wilson, Carnie Wilson | E♭ Major | 6 | 5B | 118 BPM | ||
| What Have You Done | Bardot | D♭ Major | 7 | 3B | 125 BPM | ||
| Let Me Love You Up | Sophie B. Hawkins | D♭ Major | 9 | 3B | 140 BPM | ||
| Way Back When | Aimee Mann | D Major | 5 | 10B | 119 BPM | ||
| Just Between You And Me | The Kinleys | G Major | 7 | 9B | 122 BPM | ||
| Life Is but a Dream | Vonte Brown, Trevor Johnson, Kamis, The Wilsons | G Major | 6 | 9B | 85 BPM | ||
| Hallelujah | Appleton | D♭ Major | 7 | 3B | 172 BPM | ||
| Hero | Tasmin Archer | G Major | 5 | 9B | 120 BPM | ||
| Hand Over Your Heart | Lorrie Morgan | D Major | 5 | 10B | 112 BPM | ||
| (Believed You Were) Lucky | 'Til Tuesday | F Major | 7 | 7B | 124 BPM |