Charles Peters's 'To Get to The Bottom' had a release date set for June 1, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Charles Peters's "i am wrong" album is number 7 out of 13. On top of that, United States appears to be the country where this track was created. The popularity of To Get to The Bottom is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of To Get to The Bottom by Charles Peters to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Roll Over | Tall Lady | C Major | 9 | 8B | 108 BPM | ||
| Fishing Song | Charles Peters | A Major | 6 | 11B | 135 BPM | ||
| Backflip Cointoss | Charles Peters | G Major | 7 | 9B | 120 BPM | ||
| The Man's Always Getting Me Down | Ben Aubergine | A♭ Major | 7 | 4B | 96 BPM | ||
| Just Don't | The 3148s | A♭ Major | 8 | 4B | 165 BPM | ||
| Where Is Love? | PARTICLS | D♭ Major | 4 | 3B | 74 BPM | ||
| Lint | Gary Reynolds | A♭ Major | 8 | 4B | 165 BPM | ||
| Mishka the Banshee | Ritz Vanity | B♭ Major | 9 | 6B | 170 BPM | ||
| Made of Stone | Beckside of Richness | A♭ Major | 8 | 4B | 165 BPM | ||
| Crystal Clear | Charles Peters | A Major | 4 | 11B | 125 BPM | ||
| Tommy Is A Heartbreaker | Jesse Creatchman | B♭ Major | 10 | 6B | 161 BPM | ||
| Not My Time | LIFA Global, Rose Cora Perry & the Truth Untold | G Major | 7 | 9B | 122 BPM | ||
| I'm Waiting For The Man | George Mashour | A Major | 4 | 11B | 120 BPM | ||
| Untitled | Saint Sulpice | D Major | 4 | 10B | 117 BPM | ||
| She Doesn't Know | Postcard | F Minor | 5 | 4A | 102 BPM | ||
| I Wouldn't Change a Thing | Vanishing Shores | A Major | 3 | 11B | 111 BPM | ||
| Rise 'N' Move | London Ghost | F♯ Minor | 9 | 11A | 108 BPM | ||
| March of the Insects | Charles Peters | G Major | 3 | 9B | 140 BPM | ||
| There’s No Tomorrow | Michael Paul Brennan | C Minor | 7 | 5A | 148 BPM | ||
| Happy Birthday | Looms | A♭ Major | 6 | 4B | 123 BPM | ||
| Pieces | Wild Oceans | D Major | 9 | 10B | 148 BPM | ||
| Neverland | Geezer CC | A♭ Major | 8 | 4B | 165 BPM | ||
| Recovery Anthem | City Ice | D♭ Major | 8 | 3B | 103 BPM | ||
| Vanity Affair | The Orange Blossoms | A♭ Major | 8 | 4B | 165 BPM | ||
| Rocking Chair | The Modbeats | F♯ Major | 7 | 2B | 140 BPM |