"Yonah’s Dream" by Mathew Rosenblum, Various Artists, Dean Drummond had its release date on September 1, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mathew Rosenblum, Various Artists's "Mathew Rosenblum: Circadian Rhythms" album is number 1 out of 18. In terms of popularity, Yonah’s Dream is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Yonah’s Dream by Mathew Rosenblum, Various Artists, Dean Drummond to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
| Missa Pax: IV. Interlude | Timothy Corlis, James Campbell, Michael Bloss | E Major | 0 | 12B | 85 BPM | ||
| We Lived Happily During the War: No. 3, The Loneliness One Dare Not Sound | Mathew Rosenblum, Talujon Percussion Quartet | A Minor | 0 | 8A | 104 BPM | ||
| Ex Machina: Machine IV (Dancing a Mean Ghastly Dance) | Marc Mellits, Donald Sinta Quartet | G Minor | 3 | 6A | 128 BPM | ||
| 3rd Movement from Amalgamations for Solo Bass - Instrumental | Mike Marshall, Edgar Meyer, Béla Fleck | C Major | 1 | 8B | 79 BPM | ||
| Blues Symphony: I. Born in Hope | Wynton Marsalis, Detroit Symphony Orchestra, Jader Bignamini | C Major | 2 | 8B | 85 BPM | ||
| Two Harmonies: Gymnopédie for Art Jarvinen | Mathew Rosenblum, Wendy Richman, Timothy Feeney, Shirley Yoo | F Major | 0 | 7B | 79 BPM | ||
| Symphony in 3 Movements, K73: I. [Allegro]. Crotchet = 160 | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 84 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | F Major | 0 | 7B | 102 BPM | ||
| Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | ||
| Clarinet Concerto in C Minor, Op. 31: II. Adagio, ma senza rigore | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 0 | 2B | 52 BPM | ||
| Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| Clarinet Sonata, Fp 184: Romanza. Tres calme | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud | G Minor | 0 | 6A | 103 BPM | ||
| Concertino da Camera: I. Allegro con moto | Jacques Ibert, Nobuya Sugawa, Yutaka Sado, BBC Philharmonic Orchestra | F Major | 2 | 7B | 121 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | ||
| Concerto pour trombone et orchestre: III. Finale: Maestoso - Rondo | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | F♯ Major | 0 | 2B | 120 BPM | ||
| Nü Kuan Tzu: VI. Interlude 2 | Mathew Rosenblum, Mary Nessinger, Kristin Norderval, Brad Lubman | D Major | 2 | 10B | 90 BPM | ||
| Progess Back | Money Wheels | B♭ Major | 1 | 6B | 210 BPM | ||
| Garland of Sonnets, Op. 44: No. 3, Moderato con moto | Youli Galperine, Sergei Nakariakov, Maria Meerovitch | F Major | 1 | 7B | 131 BPM | ||
| II. With tranquility | Paul Creston, Donald Sinta, Nelita True | A♭ Major | 0 | 4B | 60 BPM | ||
| Saxophone Sonata in C-Sharp Major: I. Tres modéré, expressif | Fernande Decruck, Claude Delangle, Odile Delangle | E Major | 0 | 12B | 107 BPM | ||
| Sonatine pour basson et piano: I. Allegro con moto | Alexandre Tansman, Marc Trenel, Pascal Godart | C Major | 1 | 8B | 139 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Me and 4 Ponys: I. Mechanical | Laurence Osborn, 12 Ensemble, Siwan Rhys | F Major | 0 | 7B | 102 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | F Major | 0 | 7B | 102 BPM |