Satinath Mukherjee's ' "Ekhono Akashe Chand, Pt. 2" was released on its scheduled release date, December 1, 1952. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 34 in All Time Greats, Vol. 1 & 2 by Satinath Mukherjee. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Ekhono Akashe Chand, Pt. 2 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ekhono Akashe Chand, Pt. 2 by Satinath Mukherjee is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Niyona Biday | Pannalal Bhattacharya | A Major | 2 | 11B | 77 BPM | ||
| Aami Tomay Joto - Original | Arundhati Holme Chowdhury, NA | A Major | 3 | 11B | 150 BPM | ||
| Tumi Kon Kananer Ful | Mita Chatterjee, Rabindranath Tagore | A♭ Major | 2 | 4B | 109 BPM | ||
| Chena Chena Mukhta Tomar | Subir Sen | B Minor | 6 | 10A | 125 BPM | ||
| Baje Na Banshi | S. D. Burman | F Minor | 5 | 4A | 101 BPM | ||
| Sabar Hridaye Rabindranath | Bhupen Hazarika | B Minor | 4 | 10A | 152 BPM | ||
| Khorer Protima Pujis Re Tora | Swaraj Roy | A Major | 4 | 11B | 160 BPM | ||
| Sahe Naa Jatona | Kabir Suman | B Major | 3 | 1B | 141 BPM | ||
| Na Go Ei Je Dhula | Rajashree Bhattacharya, Satinath Mukherjee | F♯ Major | 4 | 2B | 93 BPM | ||
| Pratham Pradip Jwalo - With Narration | Manabendra Mukherjee, Satinath Mukherjee | D♭ Major | 4 | 3B | 68 BPM | ||
| Jaroyar Jhumko Theke | Manna Dey | F Major | 3 | 7B | 105 BPM | ||
| Sanganagagane | Hemanta Mukhopadhyay | D Major | 4 | 10B | 154 BPM | ||
| Mone Pare Aaj Se Kon Janame - With Narration | Firoza Begum, Satinath Mukherjee | F Major | 4 | 7B | 156 BPM | ||
| Kato Jowanar Mrityu Halo | Bhupen Hazarika | D Major | 4 | 10B | 97 BPM | ||
| E Bhabei Chole Jabe Jodi | Bappi Lahiri | F♯ Major | 7 | 2B | 119 BPM | ||
| Ami Duchokh Bhore | Manna Dey | F Major | 6 | 7B | 88 BPM | ||
| Sogono Gohono | Hemanta Mukhopadhyay | E Major | 4 | 12B | 65 BPM | ||
| Aaynate Mukh Dekhbo Na | Aarti Mukherji | F♯ Minor | 4 | 11A | 144 BPM | ||
| Aare Gailey Ki Ashiben Mor | Pratima Barua (Pande), Bhupen Hazarika | B Major | 3 | 1B | 138 BPM | ||
| Maramiya Tumi Chole Gele | Satinath Mukherjee | A♭ Major | 2 | 4B | 74 BPM | ||
| Ei Sundar Prithibi Chhere | Shyamal Mitra | C Major | 2 | 8B | 147 BPM | ||
| O Rani Salam Baare Baare | Sabina Yasmin, Tojamel Haque Bakul | E♭ Major | 6 | 5B | 121 BPM | ||
| Tumi Sundor Tai Cheye Thaki | Satinath Mukherjee | D♭ Minor | 2 | 12A | 87 BPM | ||
| Joy Ma Janani | Swaraj Roy | E♭ Major | 2 | 5B | 93 BPM | ||
| Amar Mon Kemon Kare | Chinmoy Chatterjee | E♭ Minor | 2 | 2A | 178 BPM |