"フォンデュ ~「椿姫」第2幕より白のパ・ド・ドゥ~ - 4/4 8×4 - ピアノ・ソナタ第3番 第3楽章ラルゴ ロ短調 Op.58" by 滝澤 志野 had its release date on December 9, 2022. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in ディア・ショパン ミュージック・フォー・バレエ・クラス, so we believe that "フォンデュ ~「椿姫」第2幕より白のパ・ド・ドゥ~ - 4/4 8×4 - ピアノ・ソナタ第3番 第3楽章ラルゴ ロ短調 Op.58" is a single. フォンデュ ~「椿姫」第2幕より白のパ・ド・ドゥ~ - 4/4 8×4 - ピアノ・ソナタ第3番 第3楽章ラルゴ ロ短調 Op.58 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of フォンデュ ~「椿姫」第2幕より白のパ・ド・ドゥ~ - 4/4 8×4 - ピアノ・ソナタ第3番 第3楽章ラルゴ ロ短調 Op.58 by 滝澤 志野 is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fifty or Porsche | Kronberry | E Minor | 1 | 9A | 72 BPM | ||
| Exercice preparatoire (3/4:32): 知らない国々[子供の情景] | Robert Schumann, 稲葉智子 | E Major | 2 | 12B | 97 BPM | ||
| Waltzes, Op. 69: No. 1 in A-Flat Major, Farewell Waltz | Frédéric Chopin, Alberto Nones | A Minor | 0 | 8A | 66 BPM | ||
| Tendu -Talisman- 4/4 64 | Shino Takizawa | A Minor | 2 | 8A | 205 BPM | ||
| Plié 4/4 (Etude A♭ maj Op. 25 n°1) | The Ballet Pianist | E Major | 2 | 12B | 87 BPM | ||
| Battement Tendu Jeté I | Mario Richter | D Major | 0 | 10B | 127 BPM | ||
| バットマン・タンデュ 「フー・ケアーズ?」より”ザ・マン・アイ・ラブ” 4/4 64 | 滝澤 志野 | E♭ Major | 2 | 5B | 108 BPM | ||
| Rond de jambe à terre + Port de bras 4/4 | Pascal Sévajols | D Major | 1 | 10B | 71 BPM | ||
| Tendu Quicker: Pas Des Vendanges | Trisha Wolf | A Major | 3 | 11B | 138 BPM | ||
| La Forchetta Mancante | Marco Mingardi | D Major | 1 | 10B | 65 BPM | ||
| The Vibes Carry Through | Hugo Focus, Shusuke Inari | F Minor | 2 | 4A | 126 BPM | ||
| Vamo Alla Flamenco (From "Final Fantasy IX") | Animalisa Keys, Pablo Enver | C Major | 1 | 8B | 74 BPM | ||
| Pliés 4/4 8×8 | Galina Bezuglaya | E♭ Major | 1 | 5B | 89 BPM | ||
| Beloved Grandma | Donna Floria | E♭ Major | 0 | 5B | 127 BPM | ||
| On My Own(Pliés1) - Cover | Miwa Hoshi | B Minor | 2 | 10A | 140 BPM | ||
| プリエ ~「椿姫」第1幕より青のパ・ド・ドゥ~ - 4/4 8×8 - ピアノ協奏曲第2番 第2楽章 変イ長調 Op.21 | 滝澤 志野 | E Major | 1 | 12B | 72 BPM | ||
| Save the Last Dance (Fondu) | Joey McNamara | E♭ Major | 1 | 5B | 99 BPM | ||
| Adagio Giselle | Sissonne Music | A♭ Major | 0 | 4B | 63 BPM | ||
| 바흐: 인벤션 1번 다장조 | 바리스타클래식 | E♭ Major | 1 | 5B | 161 BPM | ||
| Plié 3-4 | Venti Petrov | E♭ Major | 2 | 5B | 125 BPM | ||
| Port de Bras & Reverance - 거위의 꿈 (Directed by Eunseok, Shin) | Ballet pianist Mia | B Major | 1 | 1B | 69 BPM | ||
| Le Talisman: Act Ⅳ: Pas de Deux: Adagio (Adagio 2) | Riccardo Drigo, 유연하 (Rebecca Y. Yoo) | D Major | 2 | 10B | 109 BPM | ||
| コーダ1 マネージュ ~「ライモンダ」第3幕 ギャロップ~ - 2/4 8×24 | 滝澤 志野 | C Major | 3 | 8B | 129 BPM | ||
| Feelings | Renan Napoli | B♭ Minor | 1 | 3A | 72 BPM | ||
| C'est Un faut Grâve | Maurice Dehors | A Minor | 2 | 8A | 100 BPM |