Sada Shivam's ' "Ra Ma da Sa" was released on its scheduled release date, October 1, 2025. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. Since Ra Ma da Sa only contains only one song in the album, we like to consider this song as a single. The popularity of Ra Ma da Sa is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ra Ma da Sa by Sada Shivam having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rama Rama Rameti Mantra | Mahakatha | A Minor | 3 | 8A | 76 BPM | ||
| Gat Maa(n)he Aavine | Shama Judah | G Major | 1 | 9B | 64 BPM | ||
| SHIV CHAMAR STUTI | Kreative Kichloo | F Major | 2 | 7B | 106 BPM | ||
| Hare Krishna Kirtan (Sound of Goloka Vol1) | Devotionize | F♯ Major | 6 | 2B | 184 BPM | ||
| Om Mahalakshmi Namo Namah | Vijaya Lakshmi | D♭ Major | 5 | 3B | 126 BPM | ||
| Christ In Me | Jimmy Reigns | B♭ Major | 4 | 6B | 164 BPM | ||
| Adjo Veredja III | Tawahu Yawanawa & Família | E Minor | 4 | 9A | 75 BPM | ||
| Madhurashtakam | All For Soul, Ayesha Mukherjee | F♯ Major | 1 | 2B | 121 BPM | ||
| Uyam Deedar | Jiill | D Major | 7 | 10B | 140 BPM | ||
| Allahuma Salli Ala (Salawat | Durood) | Nirav Surani | D Minor | 3 | 7A | 68 BPM | ||
| Maafulhu | Meyna Hassaan | F Major | 4 | 7B | 112 BPM | ||
| Mahalaksmiyei Namaha | Sada Shivam | A Major | 3 | 11B | 90 BPM | ||
| Hasi Ban Gaya | Sorojit Biswas | E Minor | 2 | 9A | 82 BPM | ||
| Saino raw (Deepsara aka Bakemono) | Bakemono Gurung | F Major | 1 | 7B | 123 BPM | ||
| Gayatri Mantra Slow | Sudha Biswas | D Major | 5 | 10B | 120 BPM | ||
| Mi Xinã | Buni Inani Hunikui, Sandro Shankara | A♭ Minor | 6 | 1A | 81 BPM | ||
| Shree Hari Govinda Madava | BCE Music | C Minor | 3 | 5A | 94 BPM | ||
| Nukanu Panarê | Ysmiruá Vakaynu | A♭ Major | 6 | 4B | 123 BPM | ||
| Satnam Sri Waheguru | Hargun Kaur | | Hargun Kaur | B♭ Major | 3 | 6B | 94 BPM | ||
| Sitali Beyariya | Swati Tiwari | D Minor | 4 | 7A | 100 BPM | ||
| Golden Avatar (Lord Caitanya) | Shabda Hari Das | C Major | 5 | 8B | 100 BPM | ||
| Mantra of the 20th Tara (Tara Ritrö Loma Gyönma) [Tara Śabarī] | Lee Mirabai Harrington | A♭ Major | 1 | 4B | 119 BPM | ||
| Alma Desperta / Awake Soul (Vivências) | Vozes da Nova Terra, DJ Healer | B♭ Major | 4 | 6B | 103 BPM | ||
| Aao Narayan | MaitriBodh, Mitra Ajinkya | C Major | 5 | 8B | 128 BPM | ||
| Vem, Oh Lua! | Carlos Zubek | C Minor | 4 | 5A | 135 BPM |