Max Richter's ' "Bach Mirror" was released on its scheduled release date, June 1, 2011. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 38 out of 38 in For Nihon by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, Bach Mirror is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach Mirror by Max Richter is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Stars We Follow | Federico Albanese | A Minor | 1 | 8A | 125 BPM | ||
| The Last Farm 5 | Kjartan Sveinsson | D♭ Minor | 2 | 12A | 83 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| Dream 3 (in the midst of my life) | Max Richter, Ben Russell, Yuki Numata Resnick | F♯ Major | 1 | 2B | 80 BPM | ||
| Spiriteaux | Tony Anderson | C Minor | 0 | 5A | 117 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| The Tartu Piano | Max Richter | G Minor | 2 | 6A | 97 BPM | ||
| Motion | Peter Sandberg | E♭ Major | 0 | 5B | 176 BPM | ||
| Etne | RØRE, Avery Bright | D Major | 3 | 10B | 148 BPM | ||
| Dream 11 / Moth-Like Stars - Pt. 7 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj | F♯ Major | 1 | 2B | 79 BPM | ||
| Manchester Minimalist Piano and Strings | Lesley Barber | E♭ Major | 0 | 5B | 147 BPM | ||
| Smiles For Y | Ezio Bosso | C Minor | 2 | 5A | 142 BPM | ||
| Borderland Sorrows | Slow Meadow | E♭ Major | 1 | 5B | 82 BPM | ||
| Emerald and Stone (Arr. Knoth) | Brian Eno, Jon Hopkins, Leo Abrahams, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | B Major | 3 | 1B | 82 BPM | ||
| Space | Alex Baranowski | D Minor | 2 | 7A | 167 BPM | ||
| Went Missing | Nils Frahm | A♭ Minor | 0 | 1A | 120 BPM | ||
| Illumination | Dmitry Evgrafov | E Major | 0 | 12B | 76 BPM | ||
| Vladimir's Blues 2018 | Max Richter | A Major | 2 | 11B | 99 BPM | ||
| Elegie I | Luca Longobardi | C Major | 1 | 8B | 104 BPM | ||
| Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
| Éxta | Sebastian Plano | B Minor | 3 | 10A | 120 BPM | ||
| Hike | Hauschka | C Major | 3 | 8B | 80 BPM | ||
| Dream 0 (Till Break of Day) - Pt. 11 | Max Richter, Grace Davidson, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | F♯ Major | 1 | 2B | 80 BPM | ||
| She Remembers | Max Richter | F♯ Minor | 0 | 11A | 68 BPM | ||
| Drang | ABBOTT, Canea Quartett, Ruben Jeyasundaram, Vocaal Ensemble Cordier | A Minor | 3 | 8A | 74 BPM |