On December 31, 1958, the song "Hum Thum Jodi Majaakkaro" was released by Tiruchi Loganathan, Jamuna Rani, Thanjai N. Ramaiah Dass. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Hum Thum Jodi Majaakkaro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in K. V. Mahadevan, P. K. Muthuswamy, Thanjai N. Ramaiah Dass's "Kaveriyin Kanavan (Original Motion Picture Soundtrack)" album is number 8 out of 11. On top of that, India appears to be the country where this track was created. Based on our statistics, Hum Thum Jodi Majaakkaro's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hum Thum Jodi Majaakkaro by Tiruchi Loganathan, Jamuna Rani, Thanjai N. Ramaiah Dass to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Muruga Muruga | A. R. Ramani Ammal | F Minor | 4 | 4A | 90 BPM | ||
| Aadi Varugiral | SAKTHI SHANMUGARAJA | F♯ Major | 9 | 2B | 105 BPM | ||
| Varavendum Nabiyea | Nagoor E.M.Hanifa | D Major | 7 | 10B | 171 BPM | ||
| Summa Irunthaal | P. Leela, Jikki | A Minor | 5 | 8A | 87 BPM | ||
| Thenuram Ragam - Ii | S. Janaki | B♭ Major | 9 | 6B | 95 BPM | ||
| Vaaraai En Thizhi Instrumental | T. E. Palanisami | C Minor | 7 | 5A | 122 BPM | ||
| Aathoram Manaleduthu | P. B. Sreenivas, P. Susheela | D Major | 3 | 10B | 134 BPM | ||
| Chinnakkanne | P. Susheela | E Major | 5 | 12B | 122 BPM | ||
| Manasu Mayangum | Ilaiyaraaja, S. P. Balasubrahmanyam, S. Janaki | E Major | 2 | 12B | 81 BPM | ||
| My Dear My Sweet | Malaysia Vasudevan, Vani Jairam | C Major | 6 | 8B | 87 BPM | ||
| Kettathaiyellam | Keyboard Suresh, S.Lawrance, Vyasar S Lawrance | D Minor | 7 | 7A | 90 BPM | ||
| Deva Prasannam | Sister Sarah Navaroji | D Major | 6 | 10B | 117 BPM | ||
| Vethala Madichu | Gangai Amaran, S. P. Sailaja | G Minor | 9 | 6A | 77 BPM | ||
| Thein Koodu Nalla Thein Kodu | P. Susheela | B Minor | 6 | 10A | 167 BPM | ||
| Sirithalum Podhume | T. M. Soundararajan, P. Susheela | G Major | 2 | 9B | 75 BPM | ||
| Kanngale Kanngale | P. B. Sreenivas | B Minor | 5 | 10A | 109 BPM | ||
| Amaithi Arul | Surya, Nagoor Saleem, Minmini | E Minor | 8 | 9A | 73 BPM | ||
| Sinna Sinna Kannilae | A. M. Rajah, P. Susheela | B♭ Major | 5 | 6B | 164 BPM | ||
| Chandi Sri Chandi | Soolamangalam Sisters | G Major | 7 | 9B | 85 BPM | ||
| En Udalil Aadum | Punniyar | C Major | 6 | 8B | 161 BPM | ||
| Aadi Maasam Porandhiruchu | Gyan Varma, Gangai Amaran, Aabavanan | E♭ Minor | 10 | 2A | 170 BPM | ||
| Yennarugae Neeyirundhal | P. B. Sreenivas | B♭ Major | 5 | 6B | 114 BPM | ||
| Poivaa Magale | Soolamangalam Rajalakshmi | C Minor | 3 | 5A | 89 BPM | ||
| Devathai Puriyum Thavangal | Vani Jairam, Chandra Bose | D Minor | 3 | 7A | 74 BPM | ||
| Kudu Kuduththa Kizhavanukku | S. N. Surendar, Krishnachandran, Abavanan | G Major | 4 | 9B | 102 BPM |