"MALLETS OF ABYSS" by Kevin Penkin had its release date on October 26, 2022. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. MALLETS OF ABYSS's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "TV SERIES ”MADE IN ABYSS: THE GOLDEN CITY OF THE SCORCHING SUN”". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Japan. In terms of popularity, MALLETS OF ABYSS is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With MALLETS OF ABYSS by Kevin Penkin having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kainé - Duet Ver. | SQUARE ENIX MUSIC | G Minor | 2 | 6A | 81 BPM | ||
| Frozen Grief | Tomoki Miyoshi | A Minor | 1 | 8A | 123 BPM | ||
| Shinka | 高田龍一 | F Minor | 4 | 4A | 200 BPM | ||
| 出撃せよ! | Michiru | B♭ Minor | 0 | 3A | 135 BPM | ||
| 命の重みと尊厳 | Yugo Kanno | F♯ Minor | 4 | 11A | 126 BPM | ||
| The Voice in My Heart - Piano (Violet Evergarden Original Soundtrack) | maats | D Minor | 0 | 7A | 59 BPM | ||
| Of Noble Blood | Tomoki Miyoshi | E Minor | 1 | 9A | 108 BPM | ||
| Stepping on | Caramel Column | D♭ Major | 2 | 3B | 107 BPM | ||
| The Ruins as They Were | Kotaro Nakagawa | A Major | 2 | 11B | 73 BPM | ||
| AdラLib | Sawano Hiroyuki | G Minor | 0 | 6A | 140 BPM | ||
| 己の選択 | MAYUKO | F Major | 5 | 7B | 106 BPM | ||
| Resting Grounds | Christopher Larkin | C Minor | 1 | 5A | 86 BPM | ||
| FAPUTA | Kevin Penkin | D♭ Minor | 2 | 12A | 91 BPM | ||
| 私のしたいこと、聞いてくれる? | Rionos | G Minor | 2 | 6A | 176 BPM | ||
| 6月8日 | Yukari Hashimoto | C Major | 3 | 8B | 99 BPM | ||
| アゲイン | Masaru Yokoyama | F♯ Major | 3 | 2B | 94 BPM | ||
| 柳 | mamomo | B Minor | 6 | 10A | 165 BPM | ||
| Never Coming Back | Evan Call | D Minor | 1 | 7A | 140 BPM | ||
| North - Save Ver. | Binary Haze Interactive, Mili | G Major | 1 | 9B | 110 BPM | ||
| OPERATION SKULD - symphonic ver. | 阿保剛 | D Minor | 5 | 7A | 100 BPM | ||
| B-Messenger -strings quartet- | Nobuaki Nobusawa | E Minor | 1 | 9A | 0 BPM | ||
| Decretum | 梶浦 由記 | C Minor | 6 | 5A | 160 BPM | ||
| 予期せぬ再会 | Kenji Kawai | G Major | 2 | 9B | 86 BPM | ||
| 別れとの出会い | Kenji Kawai | G Major | 2 | 9B | 86 BPM | ||
| Never Coming Back - Piano (Violet Evergarden Original Soundtrack) | maats | D Minor | 0 | 7A | 142 BPM |