Deadlights's 'The Shapeshifter' had a release date set for April 21, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Deadlights's "Mesma" album is number 12 out of 12. The popularity of The Shapeshifter is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Shapeshifter by Deadlights to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Venom | To Kill Achilles | E Minor | 9 | 9A | 185 BPM | ||
| Death Prize | Deficit | B Minor | 7 | 10A | 85 BPM | ||
| Exploit | City State | E Major | 10 | 12B | 120 BPM | ||
| Doublespeak | Veil Of Maya | G Major | 10 | 9B | 144 BPM | ||
| Arisaka | Inertia | E Major | 10 | 12B | 200 BPM | ||
| Lost Sentience | Daybreak | B Major | 10 | 1B | 130 BPM | ||
| Born Rotten | Atena | B Major | 10 | 1B | 125 BPM | ||
| Separation Anxiety | Desolate | A♭ Major | 10 | 4B | 96 BPM | ||
| Trauma Culture | Half Me | B♭ Minor | 10 | 3A | 89 BPM | ||
| Echo and Dust Pt. I | Greyhaven | F♯ Major | 10 | 2B | 138 BPM | ||
| Labyrinth | Above, Below | E Minor | 10 | 9A | 107 BPM | ||
| Final Tale | Ghost Iris | D Major | 10 | 10B | 125 BPM | ||
| Pretty Stupid | Dealer | D♭ Major | 10 | 3B | 90 BPM | ||
| Amaranthine | Hundred Suns | F♯ Major | 9 | 2B | 113 BPM | ||
| Break Free | Hundredth | D Major | 10 | 10B | 152 BPM | ||
| Bring Me Home (feat. David Vernon) | Mirrors, David Vernon | F Minor | 10 | 4A | 126 BPM | ||
| Binge | Darkmatter | D♭ Major | 10 | 3B | 85 BPM | ||
| Requiem | The Gloom In The Corner | D♭ Major | 9 | 3B | 94 BPM | ||
| Pump Fake | Loser | F♯ Major | 9 | 2B | 170 BPM | ||
| Everything All at Once | Deadlights | B Minor | 9 | 10A | 128 BPM | ||
| Blame Shift | ENOX | F♯ Major | 10 | 2B | 175 BPM | ||
| Electrodrome | Deadlights | D♭ Major | 9 | 3B | 142 BPM | ||
| Gauze | Onslow | A Minor | 9 | 8A | 140 BPM | ||
| Second Death | Stray From The Path | D♭ Major | 10 | 3B | 93 BPM | ||
| Beneath the Sand | Mirrors | A Minor | 10 | 8A | 105 BPM |