On June 8, 2010, the song "The King's Pavyn" was released by Anon, Trinity Baroque, Julian Podger, The Holbein Consort, Steven Player, Martin Pope, The Forbury Consort, Alan Crumpler. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Trinity Baroque, Julian Podger, The Forbury Consort, Alan Crumpler, The Holbein Consort, Martin Pope, Steven Player's "Music from the reign of Henry V111" album is number 9 out of 27. On top of that, United Kingdom appears to be the country where this track was created. The King's Pavyn is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The King's Pavyn by Anon, Trinity Baroque, Julian Podger, The Holbein Consort, Steven Player, Martin Pope, The Forbury Consort, Alan Crumpler to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Presanctified Liturgy: "Let My Prayer Arise" | Choir of the Monks of Chevetogne | G Major | 2 | 9B | 73 BPM | ||
| Lamento di Tristan - Istampitta and Rotta | Anon, Martin Best Mediaeval Ensemble | D Major | 2 | 10B | 122 BPM | ||
| Ubi charitas et amor | Paulinus of Aquileia, Niños Cantores de Villa de Cura, Salvador Rodrigo | A Minor | 1 | 8A | 173 BPM | ||
| Beatus iste sanctus (Blessed this saint), St. Dominic (8/8) | Gregorian Chant Schola of Saint John's Abbey and University | F♯ Major | 2 | 2B | 134 BPM | ||
| Tempo Della Chiesa. Antifona Alla Comunione: Qui Manducat - Remastered 2024 | Canonici Regolari Di Sant'Antimo, Jaan Eik Tule | G Major | 3 | 9B | 86 BPM | ||
| Divine Liturgy: "Only Begotten Son" | Choir of the Monks of Chevetogne | A♭ Minor | 1 | 1A | 84 BPM | ||
| O quant qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
| Spiritus Domini - VIII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
| Hodie Christus natus est | Anonymous, Chœur de l'abbaye Notre-Dame d'Argentan | A Minor | 1 | 8A | 130 BPM | ||
| Laetus Sum - CHANT: The Best Of Gregorian Chant Version | WordHarmonic | E Minor | 1 | 9A | 91 BPM | ||
| Noël - Messe de minuit : Dominus dixit ad me | Chœur de l'abbaye Notre-Dame de Timadeuc, Père Fabien | E Major | 0 | 12B | 89 BPM | ||
| Responsory Gaude Maria | Traditional Song, The Monks of Norcia | D♭ Major | 0 | 3B | 137 BPM | ||
| Tuba Gallicalis | Anon, Trinity Baroque, Fprbury Consort, The Holbein Consort, Martin Pope, Alan Crumpler, Julian Podger | C Major | 0 | 8B | 114 BPM | ||
| Livre de Job : Graduel. Domine refúgium | Choeur grégorien de Paris | F♯ Minor | 2 | 11A | 132 BPM | ||
| Chorus Angelicus Descendit | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | D Minor | 1 | 7A | 126 BPM | ||
| Cantus Missarum: Ingressa: Respice in me | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | B♭ Major | 1 | 6B | 78 BPM | ||
| O admirabile commercium | Schola Gregoriana Del Coro F. Paer | A♭ Minor | 1 | 1A | 98 BPM | ||
| Cantus Missarum: Psalmellus: Pacifice loquebantur | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 174 BPM | ||
| Ad Matutinum: Lectio. Et satis est | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | F Major | 3 | 7B | 137 BPM | ||
| Chorus Beatitudinis Devotae | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | E Minor | 0 | 9A | 69 BPM | ||
| Ave Maria, Mater Dei | William Cornysh, Anon, The Sixteen, Harry Christophers | A Minor | 2 | 8A | 130 BPM | ||
| Amen | Elaria, Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk | D Minor | 1 | 7A | 132 BPM | ||
| Missa pro Defunctis (1544): Sequentia: "Dies irae" | Cristobal de Morales, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 73 BPM | ||
| Hymne: Sanctòrum Méritis | Coro Francescano di Assisi | F♯ Major | 0 | 2B | 127 BPM | ||
| Universi qui te expectant | Anonymous, Chœur de l'abbaye Notre-Dame de Timadeuc | A Minor | 1 | 8A | 130 BPM |