"Annet Marina" by Roberto Fonseca had its release date on 1999. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Tiene Que Ver". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Spain. Based on our statistics, Annet Marina's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Annet Marina by Roberto Fonseca having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Para los Pinares se va Montoro | AfroCubism | B Major | 6 | 1B | 94 BPM | ||
| La Ciudad Perdida - Pt. 1 | BABO MORENO | F♯ Minor | 6 | 11A | 98 BPM | ||
| Habanera Partida | Chucho Valdés, Royal Quartet | G Major | 4 | 9B | 142 BPM | ||
| So What | El Comité | F Major | 2 | 7B | 87 BPM | ||
| Grey Glance | Sam Vloemans, Gwen Cresens, Lara Rosseel, Dominique Vantomme | C Minor | 0 | 5A | 72 BPM | ||
| Punto Cubano | Chucho Valdés, Royal Quartet | G Major | 7 | 9B | 96 BPM | ||
| On the Move | Marcus Henry V | A♭ Minor | 6 | 1A | 126 BPM | ||
| Was It There | Myriam Alter | A♭ Major | 4 | 4B | 108 BPM | ||
| Tumbanga - with Angá Díaz, Amadito Valdés, Carlos González, Manuel Galbán & Bigga Morrison | Orlando "Cachaíto" López, Angá Diaz, Amadito Valdés, Carlos González, Manuel Galbán, Bigga Morrison | C Major | 3 | 8B | 120 BPM | ||
| Korokoro | Henri Texier, Aldo Romano, Louis Sclavis | E Minor | 3 | 9A | 122 BPM | ||
| Délivrance | Ivan Paduart, Quentin Dujardin | A Minor | 5 | 8A | 148 BPM | ||
| Thirsty Arab (Tales of Scheherazade) | Arman Ayva | D♭ Major | 7 | 3B | 105 BPM | ||
| Chan-Chan | Abdoulaye Diabaté, Moussa Cissoko, Djeli Moussa Diawara | F Major | 7 | 7B | 109 BPM | ||
| Afro Cello | Danny Keane | G Minor | 3 | 6A | 160 BPM | ||
| Soundscape | Gwen Cahue, Bastien Ribot, William Brunard, Julien Cattiaux | F♯ Minor | 2 | 11A | 108 BPM | ||
| Merci Bon Dieu | Charlie Rouse | B Minor | 3 | 10A | 113 BPM | ||
| Xam-Xam | Abdoulaye Diabaté, Moussa Cissoko, Djeli Moussa Diawara | D Minor | 9 | 7A | 114 BPM | ||
| Ready Set Tango (Tendus) | Stahv Danker | A♭ Minor | 6 | 1A | 126 BPM | ||
| The Well-Wisher | Esbjörn Svensson Trio | G Major | 3 | 9B | 139 BPM | ||
| Mozart a la Cubana | Chucho Valdés, Royal Quartet | E♭ Major | 2 | 5B | 140 BPM | ||
| Nineteen | Jî Drû, Sandra Nkaké | G Major | 5 | 9B | 91 BPM | ||
| Viso di donna | Henri Texier, Aldo Romano, Louis Sclavis | E Minor | 2 | 9A | 109 BPM | ||
| Bird's Lament | Sylvain Rifflet, Bettina Kee, Vincent Taeger | D Major | 5 | 10B | 123 BPM | ||
| El Reloj de Pastora | Bebo Valdés Trío | F Major | 3 | 7B | 96 BPM | ||
| Hope | Harold López-Nussa | C Major | 2 | 8B | 125 BPM |