"Missa Pro Victoria: Credo" by Tomás Luis de Victoria, Michael Noone, Ensemble Plus Ultra had its release date on January 1, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Tomás Luis de Victoria: Vol.1: Missa Pro Victoria, Missa Pro Defunctis". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Spain. Missa Pro Victoria: Credo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Pro Victoria: Credo by Tomás Luis de Victoria, Michael Noone, Ensemble Plus Ultra having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Radix Jesse | Rihards Dubra, Choir of Merton College, Oxford, Benjamin Nicholas | G Major | 2 | 9B | 128 BPM | ||
| Victoria: Requiem (Missa pro defunctis) - 01. Introitus - Requiem aeternam | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 169 BPM | ||
| Beatus Franciscus | Jeronimo Aliseda, The Rose Ensemble, Jordan Sramek | G Minor | 2 | 6A | 86 BPM | ||
| The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
| Audivi Vocem | The Schola Cantorum of St. John XXIII Parish | E Minor | 3 | 9A | 79 BPM | ||
| Templum Sapientiae Excelsae | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | B♭ Major | 0 | 6B | 72 BPM | ||
| Alleluja | Sjaella | D Major | 0 | 10B | 66 BPM | ||
| To Demeter | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM | ||
| Messe brève No. 7: IIa. Domine Fili unigenite | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | F Major | 0 | 7B | 137 BPM | ||
| Incipit oratio Jeremiae prophetae: III. Pupilli facti sumus | Dominique Phinot, El León de Oro, Peter Phillips | G Major | 1 | 9B | 89 BPM | ||
| Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
| Palestrina: Missa Assumpta Est Maria - 1a. Kyrie 1 | The Tallis Scholars, Peter Phillips | C Major | 2 | 8B | 87 BPM | ||
| Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
| Requiem Mass, 1605: Kyrie | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Major | 1 | 9B | 76 BPM | ||
| Taverner: Leroy Kyrie | John Taverner, Peter Phillips, The Tallis Scholars | D♭ Major | 1 | 3B | 74 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| O magnum mysterium | Tomás Luis de Victoria, Carlos Mena, Juan Carlos Rivera, Francisco Rubio Gallego | F♯ Minor | 0 | 11A | 180 BPM | ||
| Salve Sanctus Parens | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | C Major | 2 | 8B | 144 BPM | ||
| The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| Regina Caeli Laetare a 8 | Tomás Luis de Victoria, The Sixteen, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
| Call to remembrance | Richard Farrant, Choir of Clare College, Cambridge, Graham Ross | F Minor | 1 | 4A | 81 BPM | ||
| Magi viderunt stellam | Amici Cantores | G Minor | 1 | 6A | 97 BPM | ||
| Missa Gaudeamus: IV. Gloria in excelcis Deo | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 2 | 8A | 76 BPM |