"The Big Room" by Aaron Gilbert, David Walters had its release date on April 25, 2016. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. The Big Room's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Radiate: Exhilarating Pop". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Big Room is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Big Room by Aaron Gilbert, David Walters having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Can't Stop Won't Stop - Instrumental Version | Ian Post | C Major | 6 | 8B | 106 BPM | ||
| Brazilian Caxia | Lisboa Oporto | C Major | 7 | 8B | 110 BPM | ||
| Apparitions | Aaron Gilbert, David Walters | A♭ Major | 6 | 4B | 100 BPM | ||
| DuDa | Ian Post | B♭ Minor | 7 | 3A | 157 BPM | ||
| Close Heat | David Walters, Aaron Gilbert | B♭ Major | 9 | 6B | 123 BPM | ||
| Culpables de la Cama | Guarabeat | F♯ Major | 5 | 2B | 220 BPM | ||
| Into the Maze | Dream Cave | B Minor | 3 | 10A | 91 BPM | ||
| Secret Walls | GrooveMirage. | D♭ Minor | 5 | 12A | 120 BPM | ||
| Critical Thinking | Philip Ayers | D Major | 5 | 10B | 100 BPM | ||
| Would if I Could | The New Fools | A♭ Minor | 9 | 1A | 96 BPM | ||
| King of Lions | Sight of Wonders | E Minor | 9 | 9A | 109 BPM | ||
| Midnight Train | Baltic Fleet | F Major | 8 | 7B | 174 BPM | ||
| Dream | Egbert Capalla | C Major | 8 | 8B | 100 BPM | ||
| City Shadows | Sylvain Lux | E Major | 7 | 12B | 132 BPM | ||
| Power Curve - Original Version | Hybrid | F♯ Major | 5 | 2B | 105 BPM | ||
| Night Vision | Aaron Gilbert, David Walters | F Major | 8 | 7B | 75 BPM | ||
| On the Floor - Instrumental Version | Aaron Gilbert, David Walters, Graham Smith | B Minor | 8 | 10A | 105 BPM | ||
| In the Air | Hamyai | D Minor | 6 | 7A | 145 BPM | ||
| Easy Afternoon | David Walters, Aaron Gilbert | A♭ Major | 8 | 4B | 130 BPM | ||
| Dreamboat | Battle Tapes | A♭ Major | 9 | 4B | 95 BPM | ||
| Drone Views | The Big Let Down | F Major | 5 | 7B | 100 BPM | ||
| Fake Plastic Smile | Seyor | E Minor | 6 | 9A | 123 BPM | ||
| Leaving Earth | Gresby Nash | A Minor | 3 | 8A | 115 BPM | ||
| Sidewinder Glide | William Lovitt | E Minor | 6 | 9A | 123 BPM | ||
| The Arrival | Evgeny Bardyuzha | A Minor | 7 | 8A | 100 BPM |