"Nice To Meet Me (Instrumental)" by Zack Hemsey had its release date on April 30, 2014. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Ronin (Instrumentals)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Nice To Meet Me (Instrumental) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nice To Meet Me (Instrumental) by Zack Hemsey having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Machine God | Michael McCann | E Major | 8 | 12B | 118 BPM | ||
| That Which You Seek | Zack Hemsey | G Major | 5 | 9B | 114 BPM | ||
| Soothsayer (Instrumental) | Zack Hemsey | D♭ Major | 6 | 3B | 160 BPM | ||
| Happy Hunting | Chris Benstead | G Major | 0 | 9B | 52 BPM | ||
| I Don't Want To Die | Ryan Amon | C Minor | 1 | 5A | 136 BPM | ||
| Quantum Realm | Fringe Element | A Minor | 3 | 8A | 126 BPM | ||
| Bleeding Heart | Ghostwriter | F Minor | 3 | 4A | 141 BPM | ||
| Abandoned Freedom | Zachary Meyers, Aaron Kaplan, Daniel Law Heath | C Minor | 8 | 5A | 140 BPM | ||
| History of Artemisia | Junkie XL | F Major | 9 | 7B | 80 BPM | ||
| Embers | Tybercore | D♭ Minor | 6 | 12A | 110 BPM | ||
| A Beach of Bodies | Junkie XL | F Minor | 2 | 4A | 114 BPM | ||
| Immersion | FreshmanSound | G Major | 4 | 9B | 130 BPM | ||
| Distorted Reality | Sascha Dikiciyan | F Major | 4 | 7B | 83 BPM | ||
| Sandstorm | Michael McCann | D♭ Major | 7 | 3B | 125 BPM | ||
| Odyssey | Hi-Finesse | D Minor | 4 | 7A | 135 BPM | ||
| Sidewinder | Ghostwriter, Phil Lober | B♭ Major | 5 | 6B | 140 BPM | ||
| Let The Girls Out | Ryan Amon | G Major | 2 | 9B | 170 BPM | ||
| Shadowlands | Revolt Production Music | D Major | 6 | 10B | 101 BPM | ||
| 13 Demons | Erik Ekholm | C Minor | 6 | 5A | 75 BPM | ||
| Vengeance (Instrumental) | Zack Hemsey | A♭ Major | 7 | 4B | 82 BPM | ||
| Twilight Sector | Brandon Lau | D♭ Major | 9 | 3B | 120 BPM | ||
| I Got Saved | Steve Jablonsky | D♭ Major | 5 | 3B | 136 BPM | ||
| Coffee Frother | Chris Benstead | D♭ Major | 2 | 3B | 123 BPM | ||
| The Bunker | Michael Nielsen, Kaveh Cohen | D Major | 5 | 10B | 125 BPM | ||
| The Apple | Jed Kurzel | D♭ Major | 3 | 3B | 90 BPM |