"Bridges" by Rale Micic had its release date on June 2, 2003. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 7 in Bridges by Rale Micic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Bridges's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bridges by Rale Micic is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Boat | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM | ||
| Wherever You Go | Rale Micic | D Minor | 4 | 7A | 143 BPM | ||
| Fallen Symmetry | Ballroom Jazz Collective | G Minor | 1 | 6A | 102 BPM | ||
| The Boulevard of Broken Dreams | John Pizzarelli | A♭ Major | 1 | 4B | 60 BPM | ||
| Slow Notes on Empty Blocks | Jazz & Co. | A♭ Major | 1 | 4B | 60 BPM | ||
| Lost in the Highlands | Saphena Trio | A♭ Major | 2 | 4B | 85 BPM | ||
| Smile For Me | James Jackson Jazz Trio | C Minor | 1 | 5A | 99 BPM | ||
| The Winner Takes It All | Hans Ulrik | A♭ Major | 1 | 4B | 60 BPM | ||
| Preludium, Pt. VII | Fort Bella | F Minor | 1 | 4A | 143 BPM | ||
| A Tune for the Lonely | Jazz & Co. | A♭ Major | 1 | 4B | 60 BPM | ||
| Octopus | SwisUp | A♭ Major | 1 | 4B | 60 BPM | ||
| Watch What Happens | Gustav Scheringer Duo | G Minor | 2 | 6A | 113 BPM | ||
| Swing Rhythm | Kanticos, Glen Lucas, Atlantic Five Sax Department | E Minor | 0 | 9A | 92 BPM | ||
| Slow Riser | Glass Trio | B♭ Major | 2 | 6B | 99 BPM | ||
| Lolito | Bernie Senensky, Eric Alexander | A♭ Major | 1 | 4B | 60 BPM | ||
| アイム・ア・フール・トゥ・ウォント・ユー (ライヴ) | Sadao Watanabe | G Minor | 1 | 6A | 116 BPM | ||
| Sugartoes | 6th Street Jazz | C Minor | 2 | 5A | 99 BPM | ||
| Melody in the Mist | Béla Bartók, Rale Micic | G Major | 0 | 9B | 134 BPM | ||
| Morning Straight | Jazzton | E♭ Major | 0 | 5B | 102 BPM | ||
| Il Valzer delle Cose | Alessandro De Angelis | C Minor | 1 | 5A | 134 BPM | ||
| Amanhecer | Beto Paciello, John Patitucci, Antonio Sánchez | C Major | 2 | 8B | 126 BPM | ||
| The Things We Carry | Marty Holoubek, Shun Ishiwaka, 渡辺翔太 | D♭ Major | 2 | 3B | 93 BPM | ||
| Shelter | Stockholm Whereabouts | A♭ Major | 2 | 4B | 120 BPM | ||
| After Midnight Feels Softer | Jazz & Co. | A♭ Major | 1 | 4B | 60 BPM | ||
| Portamento | Daniela Mastrandrea, Michele Paternoster | C Major | 1 | 8B | 101 BPM |