"Renegotiating" by David Sardy had its release date on November 5, 2021. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Renegotiating's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Sardy's "Ida Red (Original Motion Picture Soundtrack)" album is number 10 out of 18. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Renegotiating's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Renegotiating by David Sardy to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Left Earth | Wilfred Rockell, Maendi | F Minor | 4 | 4A | 130 BPM | ||
| Fog Battle | Junkie XL | A Major | 7 | 11B | 139 BPM | ||
| April, 1945 | Steven Price | B♭ Major | 4 | 6B | 116 BPM | ||
| Deportation | Ryan Amon | D♭ Major | 6 | 3B | 130 BPM | ||
| The Rise of Morbius | Jon Ekstrand | F Major | 5 | 7B | 75 BPM | ||
| It's Alive | Jon Ekstrand | A♭ Major | 0 | 4B | 110 BPM | ||
| Rooftop | Tomandandy | A♭ Major | 10 | 4B | 183 BPM | ||
| Over the Edge | Hampus Naeselius | D Major | 7 | 10B | 150 BPM | ||
| Access Gained | Tony Morales | E Minor | 0 | 9A | 114 BPM | ||
| Alien Fight | Harald Kloser | F Minor | 9 | 4A | 148 BPM | ||
| Project Long Shadow | Scott R. Morgan | F Major | 8 | 7B | 154 BPM | ||
| One Minute Over | Zack Hemsey | D Minor | 4 | 7A | 166 BPM | ||
| Shootout | Christopher Lennertz | D♭ Major | 4 | 3B | 143 BPM | ||
| A Hard Spot for a Hard Age | Paul Haslinger | B Major | 5 | 1B | 140 BPM | ||
| Kill the Boy | David Sardy | C Major | 3 | 8B | 112 BPM | ||
| First Regression | Jed Kurzel | D Major | 5 | 10B | 90 BPM | ||
| Live, Die, Repeat (End Title) | Christophe Beck | C Minor | 2 | 5A | 80 BPM | ||
| The Execution | Jed Kurzel | D♭ Major | 1 | 3B | 103 BPM | ||
| Muto Hatch | Alexandre Desplat | D♭ Major | 3 | 3B | 104 BPM | ||
| Storm Hunt | Harry Gregson-Williams | C Minor | 3 | 5A | 130 BPM | ||
| Task Force X | Steven Price | B Minor | 7 | 10A | 87 BPM | ||
| San Venganza | Christopher Young | B♭ Minor | 3 | 3A | 120 BPM | ||
| Five Stars for Amy | Harry Gregson-Williams, Peter Gregson, Steve Erdody, George Doering, Peter Distefano, Martin Tillmann | B♭ Minor | 1 | 3A | 89 BPM | ||
| Bad Judges | Paul Leonard-Morgan | G Major | 5 | 9B | 95 BPM | ||
| Justice Is Done | Dean Grinsfelder | F♯ Minor | 1 | 11A | 140 BPM |