"Songs of Travel: Whither must I wander?" by Ralph Vaughan Williams, Roderick Williams, Iain Burnside had its release date on October 18, 2005. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vaughan Williams: Songs of Travel / The House of Life (English Song, Vol. 14) by Ralph Vaughan Williams. The song's track number on the album is #7 out of 20 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Songs of Travel: Whither must I wander? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Songs of Travel: Whither must I wander? by Ralph Vaughan Williams, Roderick Williams, Iain Burnside has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Songs of Travel: Whither must I wander? being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
| Ave verum corpus | William Byrd, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
| The Lass From the Low Countree | John Jacob Niles, Hope Koehler, James Douglass | B Minor | 1 | 10A | 83 BPM | ||
| Sound the trumpet | Henry Purcell, Iestyn Davies, James Hall, The King's Consort, Robert King | A Minor | 0 | 8A | 172 BPM | ||
| They Are Mother | Jennifer Lucy Cook, The Gustavus Choir, Brandon Dean | B Major | 1 | 1B | 134 BPM | ||
| Chichester Psalms: II. Psalm 23.1-4 – Psalm 2.1-4 – Psalm 23.5-6 - Live | Leonard Bernstein, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | A Major | 0 | 11B | 166 BPM | ||
| Rest | Ralph Vaughan Williams, Tenebrae, Nigel Short | E♭ Major | 0 | 5B | 141 BPM | ||
| Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM | ||
| Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
| Songs of Travel: Whither Must I Wander? | Ralph Vaughan Williams, David John Pike, Isabelle Trüb | E Major | 3 | 12B | 92 BPM | ||
| Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
| The Last Words of David | Randall Thompson, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt | G Major | 0 | 9B | 127 BPM | ||
| Porgy And Bess: Summertime | George Gershwin, Betty Lane, Houston Grand Opera Women"s Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | ||
| Petite messe solennelle: XVI. Sanctus | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Birgit Remmert, Steve Davislim, Hanno Müller-Brachmann, RIAS Kammerchor, Marcus Creed | C Major | 1 | 8B | 81 BPM | ||
| Peace I Leave With You | Amy Beach, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 1 | 5B | 79 BPM | ||
| Tuba Concerto in F Minor: II. Romanza | Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | B Minor | 1 | 10A | 84 BPM | ||
| Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 2 | 10B | 102 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
| Trois chansons de Bilitis, L. 90: No. 1, La flûte de Pan | Claude Debussy, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 0 | 2B | 85 BPM | ||
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 0 | 8B | 92 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Zion hort die Wachter singen (Chorus) | Johann Sebastian Bach, Henriette Schellenberg, David Gordon, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld | G Major | 0 | 9B | 109 BPM |