"Sakura San" by Pascal Schumacher had its release date on January 1, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pascal Schumacher's "Left Tokyo Right" album is number 2 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, Sakura San is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sakura San by Pascal Schumacher to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Los Dos Lorettas | Pascal Schumacher Quartet, Pascal Schumacher, Jef Neve, Christophe Devisscher, Teun Verbruggen | B Minor | 1 | 10A | 175 BPM | ||
| Circle 18 - Hainbach Rework | Robot Koch, Foam and Sand, Hainbach | A♭ Major | 1 | 4B | 100 BPM | ||
| Lilia | Pascal Schumacher | A Minor | 0 | 8A | 94 BPM | ||
| Un rivage | Gaspar Claus | D Minor | 1 | 7A | 156 BPM | ||
| Rain | Poppy Ackroyd | B♭ Minor | 0 | 3A | 65 BPM | ||
| Wingbeats Source IV: Tuned Percussion, Harp, Mey | Hidden Orchestra | F♯ Minor | 2 | 11A | 130 BPM | ||
| Piano Textures 4 III | Bruno Sanfilippo | C Minor | 0 | 5A | 76 BPM | ||
| Further in the Making | Nils Frahm | F♯ Major | 1 | 2B | 120 BPM | ||
| Orion (Mythologies) | Simon P. Castonguay, Tambour | D♭ Minor | 4 | 12A | 81 BPM | ||
| Eos | Ben Lukas Boysen | B♭ Minor | 0 | 3A | 128 BPM | ||
| I. Sequence (Four) | Peter Gregson, Warren Zielinski, Magdalena Filipczak, Meghan Cassidy, Richard Harwood | D Minor | 3 | 7A | 137 BPM | ||
| Being Anne | Anne Müller | E Minor | 2 | 9A | 84 BPM | ||
| Pretty In Plums | Shida Shahabi | A♭ Minor | 3 | 1A | 77 BPM | ||
| Dear, Limerence - Sergio Díaz De Rojas Rework | Illuminine, Sergio Díaz De Rojas | E Minor | 2 | 9A | 80 BPM | ||
| Tourbillon | Julia Kent | D Minor | 4 | 7A | 180 BPM | ||
| Waende | Sebastian Selke, Daniel Selke, Ceeys | C Major | 0 | 8B | 144 BPM | ||
| Futō | Shida Shahabi | D♭ Minor | 2 | 12A | 174 BPM | ||
| Nocturne 4 | Ben Lukas Boysen | D♭ Major | 2 | 3B | 120 BPM | ||
| D 92 8:50 P.M | Jim Perkins, Leah Kardos | D Major | 2 | 10B | 92 BPM | ||
| Rhythmicon | Pascal Schumacher | A Major | 0 | 11B | 113 BPM | ||
| Falling Falling | Pascal Schumacher | F Minor | 1 | 4A | 95 BPM | ||
| Jean-Luc | Lambert | A♭ Major | 3 | 4B | 134 BPM | ||
| Vofa | amiina | G Major | 6 | 9B | 119 BPM | ||
| Faded | Cedric Vermue | F Minor | 0 | 4A | 110 BPM | ||
| Ode – Our Own Roof | Nils Frahm | F♯ Major | 0 | 2B | 73 BPM |