On January 30, 1996, the song "Had Enough" was released by Tommy Castro. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 10 in Exception To The Rule by Tommy Castro. Based on our statistics, Had Enough's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Had Enough by Tommy Castro is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Blues Is Handmade | Kai Strauss, Sax Gordon | E Minor | 6 | 9A | 100 BPM | ||
| Don't Lose My Number | Smokin' Joe Kubek, Bnois King | A Major | 8 | 11B | 117 BPM | ||
| Life Of The Party | Debbie Davies | C Major | 6 | 8B | 127 BPM | ||
| Cold Man Cold | Karen Lovely | E Minor | 6 | 9A | 104 BPM | ||
| It Came out of Nowhere | Damon Fowler | C Major | 6 | 8B | 116 BPM | ||
| I'm Gonna Leave You | Guitar Shorty | E Minor | 7 | 9A | 131 BPM | ||
| Sugar Shack | Damon Fowler | A Major | 6 | 11B | 129 BPM | ||
| Nasty Habits | Tommy Castro | C Major | 6 | 8B | 109 BPM | ||
| I Wouldn't Treat a Dog (The Way You Treated Me) | Bernard Allison | G Minor | 6 | 6A | 204 BPM | ||
| Big Bad Wolf (Live) | Alastair Greene | C Major | 9 | 8B | 174 BPM | ||
| Walking With The Wolf | The Kentucky Headhunters, Johnnie Johnson | D Major | 9 | 10B | 115 BPM | ||
| When I Leave Here - Original Version | Robben Ford & The Blue Line | B♭ Minor | 8 | 3A | 104 BPM | ||
| She's Gone | Doyle Bramhall | A Major | 9 | 11B | 115 BPM | ||
| Every Other Guy | Jeff Healey | E Major | 8 | 12B | 124 BPM | ||
| Riva Diva | The Rides | F Major | 10 | 7B | 145 BPM | ||
| Dirty Double Dealer | Blindside Blues Band | A Major | 9 | 11B | 119 BPM | ||
| What the Hell Was I Thinking | Albert Castiglia | A Major | 9 | 11B | 144 BPM | ||
| I Just Came To Play | Debbie Davies | A Minor | 7 | 8A | 111 BPM | ||
| Rock Me Baby | Blindside Blues Band | C Major | 9 | 8B | 128 BPM | ||
| Rockin' Red Rooster | Lonnie Brooks | D Major | 8 | 10B | 120 BPM | ||
| Blues All Night | Jimmy Thackery, D. Rivers | F♯ Minor | 8 | 11A | 115 BPM | ||
| She's Like Mercury | Mark Selby | E Major | 8 | 12B | 122 BPM | ||
| One Step At A Time | Smokin' Joe Kubek & Bnois King | D Major | 10 | 10B | 121 BPM | ||
| State Of Grace | Buddaheads | A♭ Minor | 8 | 1A | 120 BPM | ||
| Hawaiian Style | Alfred Aholo Apaka, The Lost Recordings, Alvin Isaacs, Pua Almeida, Buddy Peterson, Steppy De Rego, Alfred Apaka Hawaii's Golden Baritone, Randy Oness, Tommy Castro, Benny Kalama, 1945 - 1950 Early Years | F Major | 1 | 7B | 95 BPM |