"沖田の死〜ヤマト帰還 F-1B" by 宮川 泰, ヤマト・スタジオ・オーケストラ had its release date on July 18, 2012. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of YAMATO SOUND ALMANAC 1974-I 宇宙戦艦ヤマト BGM集 by 宮川 泰, ヤマト・スタジオ・オーケストラ. The song's track number on the album is #50 out of 57 tracks. Based on our data, Japan was the country where this track was produced or recorded. In terms of popularity, 沖田の死〜ヤマト帰還 F-1B is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 沖田の死〜ヤマト帰還 F-1B by 宮川 泰, ヤマト・スタジオ・オーケストラ has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 沖田の死〜ヤマト帰還 F-1B being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| オデッサの激戦 M-5 | 渡辺岳夫 | F Major | 4 | 7B | 116 BPM | ||
| カーニバルのマーチ(1988年) | Japan Air Self-Defense Force Central Band | D Minor | 5 | 7A | 126 BPM | ||
| TACのテーマ | Toru Fuyuki | F♯ Major | 2 | 2B | 149 BPM | ||
| ある愛の詩 | フィルム・スタジオ・オーケストラ | B♭ Minor | 3 | 3A | 96 BPM | ||
| マークザイン出撃 | 斉藤恒芳 | A♭ Major | 4 | 4B | 130 BPM | ||
| 誕生 - 2024mix | 宮川 泰, シンフォニック・オーケストラ・ヤマト | C Major | 5 | 8B | 137 BPM | ||
| パリのめぐり逢い | シネマサウンズ・オーケストラ | D Major | 3 | 10B | 84 BPM | ||
| ゴジラメインテーマ | Crimson Craftsman | C Major | 5 | 8B | 154 BPM | ||
| ラヴ・ワールド - 映画『ワールド・オブ・エレガンス』より | ピエール・ポルト | E♭ Major | 5 | 5B | 103 BPM | ||
| Ominous | Naoki Sato | F Minor | 3 | 4A | 89 BPM | ||
| 宇宙から来た暴れん坊 科学特捜隊(特捜隊のテーマ) 〈2022リマスタリング〉 | 宮内國郎 | C Major | 6 | 8B | 104 BPM | ||
| パリは燃えているか - オープニング・テーマ | Takashi Kako | F Minor | 3 | 4A | 77 BPM | ||
| 鬼平犯科帳 オープニングテーマ(鬼平犯科帳) ORIGINAL COVER | NIYARI計画 | A Minor | 8 | 8A | 142 BPM | ||
| 刑事コロンボ[ミステリー・ムービーのテーマ] | Henry Mancini, Siena Wind Orchestra | G Major | 6 | 9B | 98 BPM | ||
| ズームイン朝OP(ズームイン朝) ORIGINAL COVER | NIYARI計画 | A♭ Major | 5 | 4B | 123 BPM | ||
| 必殺仕掛人 春雪仕掛針 荒野の果てに・インストゥルメンタル ①M30 | Masaaki Hirao | B♭ Minor | 5 | 3A | 135 BPM | ||
| 紅の機動兵器 M-14 | 松山祐士 | A♭ Major | 9 | 4B | 95 BPM | ||
| メモリー - 「キャッツ」より | ピエール・ポルト・オーケストラ | A♭ Major | 6 | 4B | 131 BPM | ||
| 大脱走のマーチ(映画「大脱走」より) | Elmer Bernstein | G Minor | 3 | 6A | 117 BPM | ||
| 神の手を持つ男 | Hideakira Kimura | F Major | 0 | 7B | 120 BPM | ||
| スパイ大作戦 | Lalo Schifrin, Siena Wind Orchestra | F Major | 6 | 7B | 90 BPM | ||
| ボラー艦隊の奇襲 - 「宇宙戦艦ヤマトIII」使用BGM | 宮川 泰, シンフォニック・オーケストラ・ヤマト | E♭ Major | 6 | 5B | 136 BPM | ||
| ブーべの恋人 「ブーベの恋人」より | スクリーン・スタジオ・オーケストラ | A Major | 2 | 11B | 189 BPM | ||
| Anti Earth Union Group | Shigeaki Saegusa | C Major | 3 | 8B | 108 BPM | ||
| 紡がれし秘奥を求めて | HOYO-MiX | D Minor | 1 | 7A | 114 BPM |