"Encounter" by Max Richter had its release date on October 17, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 29 in Ad Astra (Original Motion Picture Soundtrack) by Max Richter, Lorne Balfe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Encounter is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Encounter by Max Richter is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fire Temple | Bobby Krlic | F♯ Major | 3 | 2B | 81 BPM | ||
| Dividing Space | Murcof | C Minor | 2 | 5A | 132 BPM | ||
| Slot Canyon | Trevor Gureckis | F♯ Major | 3 | 2B | 74 BPM | ||
| Leaving the Compound | Max Richter | G Major | 0 | 9B | 87 BPM | ||
| Tension in the Cloud | Rival Consoles | G Major | 3 | 9B | 77 BPM | ||
| Colorado Springs | The Prestige | A Minor | 1 | 8A | 91 BPM | ||
| The Trees | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 3 | 6A | 115 BPM | ||
| Infra 5 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | F♯ Minor | 3 | 11A | 81 BPM | ||
| So Soft | Jonny Greenwood | C Major | 2 | 8B | 62 BPM | ||
| 401.3 Contractor | Mac Quayle | F Major | 2 | 7B | 128 BPM | ||
| It's Not Working | Daniel Pemberton | F Minor | 2 | 4A | 120 BPM | ||
| Lago's Sleep | Carpenter Brut | G Minor | 2 | 6A | 70 BPM | ||
| Bunsen Burner | CUTS | C Minor | 3 | 5A | 95 BPM | ||
| Start a Revolution | Ramin Djawadi | D♭ Major | 3 | 3B | 122 BPM | ||
| Captive State | Rob Simonsen | F Minor | 8 | 4A | 120 BPM | ||
| RETRIEVING THE CASE | Ludwig Göransson | A♭ Major | 6 | 4B | 100 BPM | ||
| The Syndrome | Atli Örvarsson | B Major | 1 | 1B | 68 BPM | ||
| Campfire | Jónsi | F♯ Minor | 1 | 11A | 61 BPM | ||
| Because I Know You | Dan Romer | C Minor | 2 | 5A | 69 BPM | ||
| Lockhouse | Thomas Newman | G Major | 3 | 9B | 97 BPM | ||
| Patterns / Solo - Pt. 3 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj | B♭ Major | 0 | 6B | 81 BPM | ||
| Forced Entry | Max Richter | C Minor | 6 | 5A | 108 BPM | ||
| Voyage to the Bottom of the C (Main Title) | Marco Beltrami, Brandon Roberts | C Major | 4 | 8B | 74 BPM | ||
| Infra 4 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | D Minor | 2 | 7A | 116 BPM | ||
| Are You Receiving? | Clint Mansell | G Major | 3 | 9B | 137 BPM |