On January 1, 1978, the song "Money Talks" was released by Penetration. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Penetration's "Moving Targets" album is number 13 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Money Talks is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Money Talks by Penetration to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Here They Come Again | Cockney Rejects | D Major | 10 | 10B | 159 BPM | ||
| Chelsea Girl | Resistance 77 | E Major | 8 | 12B | 197 BPM | ||
| Two Places | Penetration | D Minor | 7 | 7A | 80 BPM | ||
| You | Au Pairs | E Minor | 9 | 9A | 129 BPM | ||
| Tonight | The Boys | B Major | 9 | 1B | 86 BPM | ||
| Movement | Penetration | B Minor | 7 | 10A | 139 BPM | ||
| Safety in Numbers | The Adverts | E Major | 9 | 12B | 172 BPM | ||
| If the Kids Are United | Sham 69 | D Major | 9 | 10B | 134 BPM | ||
| Dicks Hate The Police | Dicks | D Minor | 8 | 7A | 183 BPM | ||
| They Say That (Everything's Alright) | The Zeros | A Major | 6 | 11B | 87 BPM | ||
| Action | Knots | C Major | 9 | 8B | 98 BPM | ||
| I Don't Wanna | Sham 69 | E Major | 10 | 12B | 202 BPM | ||
| Let's Get Zooed Out | Testors | E♭ Minor | 10 | 2A | 97 BPM | ||
| Hard Lovin' Man | Johnny Moped | A Minor | 9 | 8A | 192 BPM | ||
| DC-10 | Kleenex | D Major | 10 | 10B | 152 BPM | ||
| Teenage | U.K. Subs | A Major | 10 | 11B | 171 BPM | ||
| Soldier Soldier | SpizzEnergi | B Major | 7 | 1B | 148 BPM | ||
| Shake It Up | Nikki and the Corvettes | D Minor | 8 | 7A | 140 BPM | ||
| Read About Seymour | Swell Maps | D Major | 9 | 10B | 130 BPM | ||
| The Sound Of The Suburbs | The Members | G Major | 9 | 9B | 91 BPM | ||
| Titanic (My Over) Reaction | 999 | C Major | 6 | 8B | 142 BPM | ||
| Great British Mistake | The Adverts | G Major | 10 | 9B | 169 BPM | ||
| Banned From The Pubs | Peter and the Test Tube Babies | D♭ Minor | 10 | 12A | 169 BPM | ||
| Evacuate | Chelsea | D Major | 8 | 10B | 183 BPM | ||
| Nights In White Satin | The Dickies | A Major | 10 | 11B | 188 BPM |