清水宏次朗's ' "BOYS IN THE MIDNIGHT" was released on its scheduled release date, August 25, 1989. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of YES, ONLY YES by 清水宏次朗. The song's track number on the album is #8 out of 10 tracks. Based on our data, Japan was the country where this track was produced or recorded. Based on our statistics, BOYS IN THE MIDNIGHT's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since BOYS IN THE MIDNIGHT by 清水宏次朗 has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With BOYS IN THE MIDNIGHT being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 僕は君を失くしてる | 清水宏次朗 | E Major | 8 | 12B | 158 BPM | ||
| OKINAWA IN MAY | Kiyotaka Sugiyama | D Major | 9 | 10B | 138 BPM | ||
| 夏の少女'90 | Kosetsu Minami | G Major | 8 | 9B | 130 BPM | ||
| 君は僕の勇気 | 東野純直 | F♯ Major | 8 | 2B | 111 BPM | ||
| Hold On Me | Kahoru Kohiruimaki | A♭ Minor | 9 | 1A | 125 BPM | ||
| SHINE ON ME | Junichi Inagaki | F♯ Major | 8 | 2B | 113 BPM | ||
| 勇気の言葉 | MULTI MAX | D Major | 7 | 10B | 124 BPM | ||
| 君だけを見ていた - 2021 version | To Be Continued | F Major | 7 | 7B | 76 BPM | ||
| フリーウェイ・シンフォニー | REBECCA | C Major | 9 | 8B | 171 BPM | ||
| Fight! | Mariko Nagai | B♭ Major | 10 | 6B | 156 BPM | ||
| 恋する気持ち | KAN | C Major | 8 | 8B | 117 BPM | ||
| GLORY DAYS | Senri Oe | B Major | 9 | 1B | 123 BPM | ||
| いつも君を想ってる - Tom & Jerry Mix; 2022 Remaster | Kiyotaka Sugiyama | C Major | 9 | 8B | 134 BPM | ||
| 恋という名の翼 | Yasuhiro Yamane | B Minor | 9 | 10A | 120 BPM | ||
| 10 YEARS AFTER - 2012 Remaster | Masahiro Kuwana | D Major | 9 | 10B | 96 BPM | ||
| ラ・ヴィアンローズ | Yoshiyuki Osawa | G Minor | 6 | 6A | 136 BPM | ||
| Seventh Code wo Tengoku ni Kure | Tunnels | B♭ Major | 4 | 6B | 82 BPM | ||
| 濡れた髪のLonely | Satoshi Ikeda | A Major | 6 | 11B | 113 BPM | ||
| 微笑みのその前で | Kumiko Yamashita | C Major | 9 | 8B | 168 BPM | ||
| ミス・ロンリー・ハート | Shogo Hamada | G Major | 3 | 9B | 135 BPM | ||
| 時代 (とき) を越えて | 紅麗威甦 | D Major | 9 | 10B | 100 BPM | ||
| かぞえきれない雨 | Yukadan | F♯ Minor | 6 | 11A | 123 BPM | ||
| そのキスが欲しい | Kenji Sawada | A♭ Major | 10 | 4B | 146 BPM | ||
| 恋のかけら | Downtown Boogie Woogie Band | C Major | 3 | 8B | 172 BPM | ||
| モーニングムーン | Saruganseki | F Major | 9 | 7B | 138 BPM |